A Quote by Lindsey Haun

My mother was a choreographer, so music has always been around. — © Lindsey Haun
My mother was a choreographer, so music has always been around.
I remember always looking forward to listening to country music in the car with my mother, and it wasn't even something I enjoyed in the sense of music, but just being around music itself was enough.
I'm incapable of functioning without music. I've always had it in my life. I played the violin when I was a kid, and my mother was a violinist at that point, so it's always been important to me in one way or another. When I work, there's always music cranking.
I've always played music and I've always been in bands and there have been periods in my life where the music has taken a much more front row seat than any acting. For a big period of time the acting work was really a way of raising money to fund my music. And then that all sort of changed around and that's fine.
Growing up, there was always music around, whether across the street, or on the next-door neighbor's stereo. So, as in life, music is always around, and it helps to heighten any emotion. Music is amazing.
My mother played piano so we always had music around the house
My mother played piano so we always had music around the house.
It's an incredible dilemma to be an artist of color and to always be in denial about that, saying, 'I'm a choreographer first and then I'm black,' when in fact, that's not the case. I'm black first and then I'm also a choreographer.
My mother was a singer, and both of her sisters were singers. There was always music around.
My mother has always been open about all kinds of music and entertainment. She wanted us to see that it was not just country music and the Grand Ole Opry.
I've always been around musicians and always been the songwriter who doesn't end up playing the music.
An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.
You are not a female or a male - you are a dancer. And when I started going into choreography I became part of a team of people making movies. I wasn't a woman choreographer. I was a choreographer.
The death of the music business was insane, but audio recordings have been around now for maybe 120 years. Books have been around for, what, nine centuries? So they're more entrenched than music.
My mother - the Irish side of the family - was very musical. My mother was a singer; there was music around the house all the time.
I didn't grow up on dance class. I was always natural. I've been in the industry since I was eight and I've always had a choreographer since then. But I never really took ballet or anything like that.
I call this my church house trilogy. Souls' Chapel really was music from the Mississippi Delta, which to me is a church within itself. The Delta is the church of American Roots music. The Badlands is a cathedral without a top on it. And the Ryman has been called the Mother Church of Country Music, but to me it's the Mother Church of American Music. If you can think it up, it's been done there. In my mind, this is kind of a spiritual odyssey as much as anything else, and I had the settings of three churches to make it in.
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