A Quote by Lindsey Horan
I really counted on my technical ability and my passing for everything. Then once you got to bigger stages and the professional level, you can get shoved off the ball and you need to be fit and you need to be at your top level at all times.
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Being born into the business, I had the connections. A lot of guys aspire to be professional wrestlers, but you need to get trained the right way. And then, once you're trained, you need to get to that next level, and really, the WWE is the only place to do it.
I'm in remission. I need to get my physical conditioning to a higher level. I was always very fit. I need to get back to where I am very confident in my ability to bike a long way.
Traveling fast over complex technical terrain requires a high level of technical ability and the endurance to support it. These two quite divergent capabilities need to be developed over years of practice. Omitting either limits your potential.
Consistency is a huge thing at the top. It's hard to get to a good level, but once you get to a certain level, there's people who want your place.
When you're in operations, the best thing you can do at the top level is get the strategy right. You have to get the big ideas right, you have to determine what is the policy, what is the level of effort you're willing to commit to it? And then you delegate to those who have to execute that strategy to the appropriate level. What's the appropriate level? It's the level where people are trained and equipped to take decisions so we move swiftly against the enemy.
As a professional, you want to get as much as you can out of your career, play at the top level, and win trophies. Playing with top players at Manchester City, I've got a great chance of doing that, and I just want to keep improving.
My main position on karaoke is just say no. I also think there should be a cut-off level where, once you reach a certain amount of talent or ability, you shouldn't be allowed to do karaoke anymore. Go get a band and actually do that. There's no need to show everybody else up.
At some level, you've got to have the ability to - especially in film and in front of the camera, you got to have the ability to drop into character and close off the entire crew and the camera and everything else.
Every few weeks, I'd really be worn down. The doctor said just take time off, but it became apparent that the exercise you need to be a top-level athlete brought the symptoms on.
And then there are my friends, and they have their own lives. While they like to talk everything through, to analyze and hypothesize, what I really need, what I'm really looking for, is not something I can articulate. It's nonverbal: I need love. I need the thing that happens when your brain shuts off and your heart turns on. And I know it's around me somewhere, but I just can't feel it.
You hit one level of the sport, and then you want to get to the next level. Until, eventually, the Olympics becomes part of that dream, part of that goal set and the mindset of wanting to get there. And then you realize there's so much incredible hard work and determination and effort that you need to put in along the way.
You need young, hungry, developing players in your team, but you also need that experience to level things out and get hold of some of the youngsters when they need advice in certain areas of the pitch.
On a simple level, you need directors who are good at action and can choreograph an action scene, but you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It's a very big thing.
There's a level of protection you need to give to your kids, and then sometimes you need to just let them figure out things on their own.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
You don't need only your strikers. You need your defenders to be on top of their game. You need a midfield to work hard and track back, and I suppose you need a goalkeeper who makes saves once in a while.
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