A Quote by Lindsey Horan

Coming from my past experiences, I've been the player who used to worry all the time, and I'd get so nervous and frantic when I was young. — © Lindsey Horan
Coming from my past experiences, I've been the player who used to worry all the time, and I'd get so nervous and frantic when I was young.
A young tenor player was complaining to me that Coleman Hawkins made him nervous. Man, I told him Hawkins was supposed to make him nervous! Hawkins has been making other sax players nervous for forty years!
This Guy (Messi) is the Best Player in the World, no doubt about that. I think we're always nervous about calling people who are currently playing, who are young at 23, to say he's the Best Player ever. But we shouldn't be. We should admit what we are seeing in front of our eyes. This is a special talent, who may be is the Best Player ever been seen.
I always get nervous. It's usually a good thing. I worry about the nights that I'm not nervous, actually.
There are very few things in the mind which eat up as much energy as worry. It is one of the most difficult things not to worry about anything. Worry is experienced when things go wrong, but in relation to past happenings it is idle merely to wish that they might have been otherwise. The frozen past is what it is, and no amount of worrying is going to make it other than what it has been. But the limited ego-mind identifies itself with its past, gets entangled with it and keeps alive the pangs of frustrated desires.
Until now has there ever been a time in which so many of the prophecies are coming together? There have been times in the past when people thought the end of the world was coming, and so forth, but never anything like this.
Christ, he was paranoid about criticism. I used to say: why doesn't he worry about the team and forget what people are saying? He got Phil Thompson, who was a kid coming through when I was a Liverpool player, to have a go at me. So now I don't talk to him.
I've never been nervous. I just wanted to play and have a good time. If it didn't work, then I would get nervous. But, for the most part, I just go for it.
The kinds of mystical experiences that I have had definitely convinced me that I was able to get out of time. I have had experiences, or brief glimpses, of being able to see the future and then come back into time, and then go into extraordinary realms of the past.
If I can be a role model, or if I can maybe make another manager play a young player coming through rather than buy a player, that's incredible.
The first victim in journalism today is proximity. I know I've used that word a lot. Because of foreign budgets, newspapers have consolidated, and journalists now cover dozens of countries at a time. It is physically not possible for one person to understand and live the unique sets of experiences in all these places in honest and meaningful ways. Outlets used to send journalists to places like Congo for months at a time, and they were stationed there for months or years. There was a sense of immersive reporting, and that has been a casualty of the shift in news over the past years.
If the universe is a non-spatial computer, a 'time machine' is a program that allows a user to have the same (ontologically non-spatial) feelings or experiences that occurred or s/he merely feels to have occurred in the past, with an in-built function to have different feelings or experiences than those of the past, and thus creating a possibility to change the past or to rewrite history in a pseudo sense.
It's the hardest thing for a young player to develop. At the same time a young player also has to deliver their musicality to the audience. I'm still developing my own sound, because you can never know all the music.
I used to run the streets, my mom used to be crying all the time, coming to get me out of the police station all the time. Sports took me off the street.
When I'm driving past the place I used to work, or when I'm driving past the comedy studio where I used to take photos in exchange for classes, or when I'm driving past the yoga studio I used to clean on the weekends - it's not that far removed from me yet. I get very sentimental over things like that.
Well, [bluntness in songwriting]'s a lot cheaper than therapy.... There's been a lot of things going on for the past 10 years that I just never really confronted, or used metaphors to do so. This time out I wanted to make sure that everyone knows what I'm talking about and where I'm coming from.
I realized that I could have been in galleries much sooner. I just needed to get past the fear of rejection. I still feel nervous when I approach a new gallery, although it has become more like a job now. The first step on this long road was getting past that initial fear.
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