A Quote by Lindsey Stirling
It was Skrillex who got me into dubstep. He made it melodic - not just a bunch of crazy sounds.
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I listen to the group Disclosure; they have great sounds. Maybe not as adventurous as Skrillex. I think the key thing is to have those beautiful sounds... the amazing sounds of Skrillex are almost phenomenal.
We should do an Adorno reading on Skrillex and vodka sales in Vegas. It's definitely interesting. What's interesting in that music for me is the harmonic density in some crazy melodic line that sounds like some Michael Bay film eating itself. Which I enjoy in the same way I'll watch a cracked up Hollywood movie. Yet rhythmically, I guess that music just funnels more into predictable cash outcomes.
Skrillex has been successful because he has a recognizable sound: You hear a dubstep song: even if it's not him, you think it's him.
When dubstep was big, Ubisoft told the composer for 'Far Cry 3' to make dubstep and to me that was really weird.
I don't think I represent all things dubstep. I just like clubbing, so those are the sounds I've chosen to work with.
He always kept me just on the edge of crazy. Feeling like I wanted him too much, which just made me want him more." "That sounds excruciating.
I didn't understand the reasons why I was there in the Lost episode - the mysteries of the island. I just instead made my own little reality, made it as simple as possible. I figured I was a crazy woman, just a little screw loose. I don't know how I got on that island. No one could tell me how I got there either, so I just assumed I got there on a shipwreck, and I went a little nutty.
I've got a drought-tolerant garden; I've got a company - crazy as it sounds, we make yogurt. There are actors who have to act no matter what, but I don't want to do it just for the sake of doing it.
If you call it a riot, it sounds like it was just a bunch of crazy people who went out and did bad things for no reason. I maintain it was somewhat understandable, if not acceptable. So I call it a rebellion.
Yeah, on the records, the guitars are made melodic, and I try to make it memorable. There's not much just wanking, to be honest - it's mostly melodic parts. I try not to play too many notes. It's just more instrumental music. It's a totally valid criticism if you don't like that kind of thing. It also is maybe a little anachronistic or unnecessary in a certain way.
Dubstep has been big in the UK for years. I'm fine with hearing a dubstep drop in any song.
A friend of mine told me a bunch of stuff on Buddhism and about Avicii being the lowest level of Buddhist hell, and it just sort of got stuck in my head. Later on when I went to setup a MySpace, I tried a bunch of names and they were all taken so I just kind of ended up with Avicii and then I got really attached to it.
I grew up with so many different sounds, and 'Lost' allows me to express all of it, the melodic and the atonal.
My brothers came home with country, jazz, everything... it was always very normal to me to make any type of music. It was possible to fuse all the sounds, so it never sounded confusing to me to mix jazz and dubstep.
Many people say to me, particularly about my dance writing, 'It sounds just like you.' But it sounds just like me after I've made it sound like me.
Right after 'Backspacer,' my best friend got killed tragically. Something happened to me then where I got super motivated. I had a shelf of all this unfinished music... So I just went to work and made a conscious decision that I was going to finish a bunch of stuff. Life's short.
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