A Quote by Lindsey Stirling

As a dancing violinist, there have been a couple of moments where I'm like, 'Oops! This is an expensive mistake!' — © Lindsey Stirling
As a dancing violinist, there have been a couple of moments where I'm like, 'Oops! This is an expensive mistake!'
I love music; I love dancing. I took, like, eight years of ballet when I was a kid, and I still love dancing. There's been a couple of films where I was able to do some dance numbers, like 'Romy and Michelle' and 'Summer of Sam,' and I'm so happy when I get to do that.
I'm so bad at dancing that I've actually been in two movies where the director of the film saw me dancing and thought it was so funny that in one movie they had me do it as the mental dancing of a real simple person. The other one was, like, to-be-laughed-at dancing. That's how bad my dancing is.
There's a lot of 'oops' from us in life as people. I always say that God never says 'oops.' That's just kind of how I've always lived my life, but we're so imperfect that there's a lot of times that we say, 'Oops, my bad.'
Oops, I thought. Oops is an all-purpose word standing for every bit of profanity, blasphemy, and pornographic and scatological execration I could think of.
Some of my happiest moments have been dancing.
There's just been a couple of moments where - we did the one [ Carpool Karaoke] with Justin Bieber, which kind of went crazy and I think is at, like 65 million views on YouTube .
The scariest thing I've ever had about a long drive is almost falling asleep a couple of times. Those moments where you maybe should have pulled over and taken a nap, like, a couple of hours ago.
We're losing a species every few seconds. We cannot put them back. If we change our mind and say, 'Oops, we made a mistake' - it's too late. This is the world we live with.
Moments. A couple of moments that people remember, that they can take with them, is what makes a good movie.
Next time I’ll just send the three of you e-mails. What was I thinking when I decided to have this meeting? (Acheron) Oh, I know. That men who are a couple of thousand years old could actually behave like grownups? (Nick) (Zarek elbowed Nick in the stomach.) Oops. Involuntary arm spasm. (Zarek)
For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, 'Whoa!' It's always been my forte.
You write your life story by the choices you make. You never know if they have been a mistake. Those moments of decision are so difficult.
It makes me feel young. Dancing just gives you youth. You can get lost in these moments where the day just seems better. There's something very freeing about dancing, and I love that.
I remember when we first bought Teleflora, I made a very expensive mistake when I produced a brochure with the slogan, 'The way America sends love.' The bouquets and prices I pictured could not be duplicated by the florist - they were too expensive. I had relied on people I thought were in touch with the marketplace.
I've been trained in dancing and I used to be quite good, though I am a bit rusty right now. But I could probably brush up in a couple of months.
My father was a trained accountant, a BCom from Sydenham College and a self-taught violinist. In the 1920s, when he was in his teens, he heard a great violinist, Jascha Heifetz, and he was so inspired listening to him that he bought himself a violin, and with a little help from an Italian teacher, he learned to play it.
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