A Quote by Lindsey Vonn

Vail's a very important place for me. Everyone kind of took me in and accepted me in that town, and they still have to this day. I wouldn't be a downhill skier if I hadn't been there.
If I was concerned about being accepted, I would have been doing Ansel Adams lookalikes, because that was easily accepted. Everything I did was never accepted...but luckily for me, my interest in the subject and my passion for the subject took me to the point that I wasn't wounded by that, and eventually, people came around to me.
When I grew up in Italy in the 1950s, it was still very agricultural. Food was very important; produce was very important. Everyone made their own olive oil. It took me a long time after I moved here to understand that Americans are much further away from their food.
I think dancing always took me to a different place. It was hard and it was a struggle, but it took me to the kind of place I wanted to live in. It wasn't real life.
Kevin [Drew] beat me to the punch because when he first sent "Sister OK" and I'm listening to it, it took me to a place that I had not been to in a long time. It took me to a place when you're a teenager. I understand it all now, but in a moment of confusion, in a moment of trying to find some kind of solid ground in an environment that was quicksand in my life, it's that first line just kills me all the time: "Well it's just that your sister said you'd be OK."
In 2007, when my husband Damian Woetzel took on the artistic direction at the Vail Valley International Dance Festival, we both felt it was important to offer the entire Vail community access to dance.
On Decoration Day, while everyone else in town was at the cemetery decorating the graves of our Glorious War Dead, Willie Beaner and me, Robert Burns Hewitt, took Mabel Cramm's bloomers and run them up the flagpole in front of the town hall. That was the beginning of all my troubles.
For me, when you're going in the late rounds you just always have that chip on your shoulder. At the end of the day, every team that didn't draft me - including the team that took me 203rd - everybody passed me a few times. And, for me, that kind of fueled me over the years.
Meditation is helping me learn to sit still. Twenty minutes of meditation in the morning is a nice way to start my day. If you can actually sit still and really get to that place of silence, you realize what's important and what's not important. Little things don't usually get to me anymore.
Stuart, who had just witnessed me go through an entire rainbow of emotions and experiences. There was parents-have-just-been-jailed me, stuck-in-a-strange-town me, insane-and-can't-shut-up me, kind-of-snarky-to-the-strange-guy-trying-to-be-helpful me, breakup me, and the extremely popular jump-on-top-of-you-unexpectedly me.
But day after day of depression, the kind that doesn’t seem to merit carting me off to a hospital but allows me to sit here on this stoop in summer camp as if I were normal, day after day wearing down everybody who gets near me. My behavior seems, somehow, not acute enough for them to know what to do with me, though I’m just enough of a mess to be driving everyone around me crazy.
I really liked to perform. My mother always tells this story: I was five. They had a party, and they'd put me to bed. I heard everyone on the rooftop, and I went upstairs. No one paid any attention to me, so I took a hose and sprayed everyone. Very elegant, right? 'It's me! Look at me!' I loved the attention.
Self-censorship has become a part of me. I think because we live in a place where community is very important, family is very important, you feel the weight of how people look at you. Even though I might seem very modern and very liberated, I still have a lot of issues to deal with. I'm scared of how people look at me.
For me, the worst set is always when something happens to your equipment. Or back in the days your records wouldn't arrive and you couldn't perform in front of people. The best for me was performing for the Love Parade. That was kind of a blessing. I was never respected as an electronic artist. I was very big as a hip-hop DJ in my home town and in Germany. And then becoming an electronic artist, it was very hard for me to fight my way up. It still is, to be honest. I can still watch the Love Parade on YouTube, and I still put my hand over my head.
When I took the decision to join City, Pep Guardiola's call was very important. He called me, spoke to me about the project, and explained that I was going to be an important part of it. I felt very happy. The prestige of Manchester City's shirt is also very important.
I grew up in a small town where you know everyone, .. I've been told all my life that I come from too small a town to compete with some of the guys that competed in a higher level growing up. And that kind of drove me through college and drove me in the minor leagues, because I got to face all those big 5- A [school district] guys in the minors.
Chicago is a big town for magicians and card hustlers. So when I was very young, a fellow sat me down and taught me the Three-Card Monte. And that kind of put me in a - pointed me towards easy money.
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