A Quote by Linford Christie

When I was young you raced from one end of the street to the other, or round the block. — © Linford Christie
When I was young you raced from one end of the street to the other, or round the block.
I raced a lot when I was in high school, street raced.
The skyscraper establishes the block, the block creates the street, the street offers itself to man.
Block by block, street by street, our city has the resources, the activism, and the ideas to meet these challenges if we act boldly and reshape what's possible. After all, Boston was founded on a revolutionary promise: that things don't have to be as they always have been.
When you come to the fight Don't block the halls and don't block the door, for y'all may go home after round four.
I'm afraid that if I raced you on the street I'd push you to your death.
Wu-Block is more street. It's just street, that's all.
It hurts to be around life. People don't understand how close death is, right over their shoulders, around the block, at the end of a street. It's everywhere.
On the fourth Thursday in August, my neighbors and I cordon off the ends of our block and take over the street for an evening. The annual Augustus Ave. block party is an exercise in teamwork and deep democracy.
I've seen the end of the universe, and it happens to be in the United States and, oddly enough, it's in Houston, Texas. I know - I was shocked, too. Imagine my surprise when I left a comedy club one day and walked to the end of the block, and there on one corner was a Starbucks, and across the street from that Starbucks, in the exact same building as that Starbucks, there was - a Starbucks. I looked back and forth, thinking the sun was playing tricks with my eyes. That there was a Starbucks across from a Starbucks - and that, my friends, is the end of the universe.
I can walk down the street, and 85 percent of the people on the block are really quite oblivious to me. They either think I'm probably an actor or else I installed their storm windows two years ago, or I work at their bank, or maybe I'm their cousin Marie's gynecologist. Then, to the other 15 percent of those people on the street, I'm a rock star.
I raced motocross; I raced for Suzuki when I was a kid.
We live in a system of approximations. Every end is prospective of some other end, which is also temporary; a round and final success nowhere. We are encamped in nature, not domesticated.
We are walking down the street holding hands. There is a playground at the end of the block, and I run to the swings and I climb on and Henry takes the one next to me facing the opposite direction. And we swing higher and higher passing each other, sometimes in synch and sometimes streaming past each other so fast that it seems we are going to collide. And we laugh and laugh, and nothing can ever be sad, no one can be lost or dead or far away. Right now we are here and nothing can mar our perfection or steal the joy of this perfect moment.
The great majority of Baghdad is a slum - a lot of it's new, but it's still slum. It's usually this concrete-block, one-room design with a door and a window, arranged one-up, one-down, often with a shop with nothing in it on the first floor, and then a one-room apartment above it. There's street after street after street of that stuff.
I raced because I was paid to do a job and I felt like I had to do the job. Number two: I raced because I loved the process, I loved training, getting ready for the race, I loved all of that. And number three I raced for my memories. Regardless of what somebody wants to give or take away, you can't take my memories.
I started out on photography accidentally. A policeman came to a stop at the end of my street, and a guy knifed him at the end of my street. That's how I became a photographer. I photographed the gangs that I went to school with.
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