A Quote by Linton Kwesi Johnson

I don't go to see bands any more because I've got tinnitus, so I have to avoid loud music. You get used to it, but when it's quiet you hear a constant ringing. — © Linton Kwesi Johnson
I don't go to see bands any more because I've got tinnitus, so I have to avoid loud music. You get used to it, but when it's quiet you hear a constant ringing.
There is apparently an epidemic of tinnitus in younger people. Tinnitus is ringing in the ears and it can be disabling. Tinnitus is associated with cellphone use.
I like loud music. I like music that fills my ears. I'm just going to pull out my iPod and see what we got here. We're always interested in new bands because we have a retail store in northern California. I think it's got to be happy.
I got a man cave. I play my music loud. I bought big speakers because I need to hear music loud.
Britain, as a pop music nation, used to have this very 'empire' kind of attitude. We used to 'invade' the world with our bands, you know? That's obviously changed, because in Europe they're much more interested in bands speaking their own language. Especially in France and Germany. They're starting to develop their own bands much more.
With the exception of maybe Vegas or Miami once or twice, other than that, it's all the same to me. I can't hear anything in the club with the loud music, so you're in there, and you're like, 'I can't hear you because of the loud music.' I hate that, yelling back and forth. And I don't drink, so it's kind of pointless.
I like to go in the corner, in the quiet, 'cause I got to hear my thoughts. If I hear the beat for, like, five seconds, I basically got the tempo, and I don't need to hear it no more. I just focus and write.
I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.
I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
We had a wonderful department that scouted out new music. It was beneficial to Rolling Stone, because I would come back and say, "You have to hear this, you have to hear that," and I found a lot of bands to feature, emerging bands. It [ended up being] symbiotic.
I have to say, our kind of music was always a struggle live. Quiet vocals and really loud drums and guitars, it was quite tricky. It still can be. I'm slightly amazed that other bands say that, because I'm still like, "Oh God, what am I doing?"
For music, I always just played music myself - and, I had rock bands and wrote songs and put bands together that were loud, but not especially good. That was sort of the place music had in my career.
I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.
I've never really been interested in replicating the record in live performance, because I'd just get bored. When I was young I used to go and see bands and, even if it was my favorite band, I'd get bored after twenty minutes.
I always used to go for blondes and quiet girls, but Victoria is the total opposite - dark and loud.
Youths write me and tell me that their band will go nowhere because of all the bad bands in the world. I tell them there has always been awful music and that no great band ever wasted any time complaining, they just got it done. Their ropey ranting is just a way to get out of the hard work of making music that will do some lasting damage.
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