A Quote by Linus Roache
I shot a pilot for ABC, which I'm a bit confused about what the actual title is - I heard it was called 'Chosen.' It's directed by Roland Emmerich - the master of disaster himself - and it's his idea and concept for the show that's a supernatural thriller about good and evil set in contemporary modern day New York.
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If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
I think a lot of people trying to follow Buddhism these days are getting confused about sex and they don't understand what's going on. They've been exposed to a contemporary Christian idea that sex itself is evil and bad, which I'm not so sure was Jesus' idea. For me, the Buddhist approach isn't that sex itself is evil or bad but that sex is neutral. It's the way you do it that can problematic.
Modern man, if he dared to be articulate about his concept of heaven, would describe a vision which would look like the biggest department store in the world, showing new things and gadgets, and himself having plenty of money with which to buy them.
I'm writing a film called 'Bug.' It's an original script, and it's not about killer insects. It's a thriller set in a high school. The bug of the title refers to a surveillance device.
Although I could be wrong. If Roland Emmerich's thinking about doing that at some point, I'd be glad to don the long hair again. But sometimes you can just go a little bit further out with something you're only going to be doing for a short run
There are a couple of specific things about the show [Into the Badlands]. We didn't want to do a contemporary show, which is always "Chinese cop comes to New York, teams up with racist cop, together they fight crime..."
An unspeakable tragedy, confirmed to us by ABC News in New York City: John Lennon, outside of his apartment building on the West Side of New York City, the most famous, perhaps, of all the Beatles, shot twice in the back, rushed to Roosevelt Hospital, dead on arrival. Hard to go back to the game after that news flash, which in duty bound, we have to take.
How much reverence has a noble man for his enemies!--and such reverence is a bridge to love.--For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture "the enemy" as the man of ressentiment conceives him--and here precisely is his deed, his creation: he has conceived "the evil enemy," "the Evil One," and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a "good one"--himself!
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
When I was about 19, I shot a tape of me doing magic just to people on the streets, and I would edit together all the reactions and I kept pushing this idea, and then ABC came on board and made my first show.
The idea was called Justin.tv. The idea behind it was, basically, to create our own live-video streaming show, like 'Big Brother,' about ourselves, these entrepreneurs trying to make a reality show. It was a little bit meta and we launched this show.
Some would define a servant like this: 'A servant is one who finds out what his master wants him to do, and then he does it.' The human concept of a servant is that a servant goes to the master and says, 'Master, what do you want me to do?' The master tells him, and the servant goes off BY HIMSELF and does it. That is not the biblical concept of a servant of God. Being a servant of God is different from being a servant of a human master. A servant of a human master works FOR his master. God, however, works THROUGH His servants.
'Codename Baboushka' is an action-packed modern pulp spy thriller, in the sort of British tradition of 'Modesty Blaise', New Avengers and of course James Bond. It's a book about Contessa Annika Malikova, the last of a noble Russian line and an enigmatic, mysterious figure in New York high society.
I was playing this sort of asshole actor [in The Jenny McCarthy Show]. And we shot the pilot, and it was a guaranteed go. It was going to be 24 [episodes] on the air. No questions from NBC. And we shot the pilot, and I was in Toronto doing a movie, and I got a call saying they cut the character, that I was off the show.
We really wanted someone from the culture to sort of do that. And we heard about Taika [Waititi]. We saw his movie Boy, which that he had directed and written and which was great. We read another one of his scripts that was great. And we brought him in, showed him what we were doing. He really liked the idea.
It makes me very, very happy to get someone a world title shot, which I've done with a few fighters, or a European title shot or a British title, and I see them lift that belt above their waist and they come to me and say 'Thanks Ricky. I've just paid my mortgage off with that.' That's what its all about.
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