A Quote by Linus Torvalds
An individual developer like me cares about writing the new code and making it as interesting and efficient as possible. But very few people want to do the testing.
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Even when I wrote Basic myself the day before I burned it into a computer I wasn't making design changes. I didn't have a testing team. I did all the testing myself. And there was no project methodology or schedule that, there was the notion of coming to a close means testing a lot at the end and making very few changes.
I used Agitator on some code I had unit-tested, and it made me a better tester. As an Agitar Fellow, I look forward to the leverage of working with an outstanding organization as together we continue to improve the value of developer testing.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
Most developer tools try to shield you from actually writing code in constructing the GUI bits or the database bits. Yet when you do write code you usually get glass teletypes where high tech is keyword coloring.
Just getting something to work usually means writing reams of code fast, like a Stephen King novel, but making it maintainable and high-quality code that really expresses the ideas well, is like writing poetry. Art is taking away.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
There are two tests that we [writers] have for all of our writing: So What? and Who Cares? There is an answer to both. The answer to Who Cares is that a reader cares, if the writing is good. The answer to So What is that these ideas give us completely new understanding, change our sense of who we [people] are and why we're here [on this planet].
If you take psychedelics and the Internet and music and put all of that together you have the basis for a new community that is wider and deeper than you know. The people who are building the new machines, who are designing the new circuitry, who are writing the new code are ALL freaks. They work for capitalist dogs, of course, because we all do, but the creative thrust of these technologies is being driven by people just like you and me.
There are very few good writers about art, and you either get art-fashion writing with trendy views or you get very traditional writing. Occasionally, you get people who can write in an interesting way. Really, I think in a sense art writing needs to be renewed as well. It's in a pretty bad condition.
I did a lot of touring in my youth, and I learnt very quickly that giving is what it's all about. It's about the gift of making an audience feel great and forget their cares, if only for a few hours.
I like writing code. I like building product. I like making things that people like.
It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
[Melinda Gates] is a lot of fun to work with. There's some of the people skills that she's better at and cares about more. It'd be a mistake not to think of her as very numerical and interested in the science. I enjoy, if I get ahead of her, say, understanding the immune system, then we can spend a few hours, where I'm going through how amazing it is and interesting, and how that affects our creating new products, so I've always had a partner.
I want to say that of course I want my writing to be read and discussed by as many people as possible, but this is different than wanting personal, "celebrity"-like attention. I'm very introverted and sensitive and dislike being talked about, positively or negatively.
We're coming down to an extremely unethical society. Very few colleges offer courses in ethics, and very few companies have a code of conduct or code of ethics.
I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
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