A Quote by Lionel Blue
Someone gave me a New Testament. I had never before read it systematically. Some parts made sense, some parts shocked me.
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I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
When it comes to picking parts, I do make an effort to choose parts that I want to do, and not necessarily parts someone else wants me to do, or parts that someone else is going to respond to.
As long as they keep offering me some good parts and so forth - there are some parts out there that fit me pretty well - I'll keep going for a while.
Some people are attracted to vulnerability. From my very first album, I've been vulnerable. I've always given parts of me, parts of my life - good, bad, ugly. I've never put up this image as a super-thug. Also, some people just like the music.
Some of the parables of the Kingdom made wonderful sense, but the exclusivity in the New Testament put me off.
Notwithstanding my present incompetency, I am beginning to translate the New Testament, being extremely anxious to get some parts of Scripture, at least, into an intelligible shape, if for no other purpose than to read, as occasion offers, to the Burmans I meet with.
I remember when I first came to Los Angeles being staggered by the range of roles open to me. These were leading parts in shiny new projects, and what always excited me was knowing there was a possibility that I could actually get these parts. I always had the impression that I had a chance.
The whole history of these books (i.e. the Gospels) is so defective and doubtful that it seems vain to attempt minute enquiry into it: and such tricks have been played with their text, and with the texts of other books relating to them, that we have a right, from that cause, to entertain much doubt what parts of them are genuine. In the New Testament there is internal evidence that parts of it have proceeded from an extraordinary man; and that other parts are of the fabric of very inferior minds. It is as easy to separate those parts, as to pick out diamonds from dunghills.
As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested: that is, some books are to be read only in parts, others to be read, but not curiously, and some few to be read wholly, and with diligence and attention.
He gave me a look at myself I've never had before. He saw something in me nobody else ever did. He made me see it too. He made me believe it.
I guess that one of the most important things I've learned is that nothing is ever completely bad. Even cancer. It has made me a better person. It has given me courage and a sense of purpose I never had before. But you don't have to do like I did...wait until you lose a leg or get some awful disease, before you take the time to find out what kind of stuff you're really made of. You can start now. Anybody can.
People can have so many ill-conceived ideas about me based on the parts that I play. I've had guys, when I've been single, come out of the woodwork to date me and I've found out very quickly that they were expecting some kind of whirlwind, some dramatic crazy person - and that's just not me.
I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.
As a young actor, I played a lot of 'exotic' parts and was stuck with the tag 'sultry.' I had to refuse such parts if I were ever to play anything else. It did the trick, but my agent feared it made me harder to cast.
People had been so attached to the Diane [Cheers] character that audiences and producers found it difficult to think of me in any other terms. It took some time before people would consider me for other parts.
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