A Quote by Lionel Hampton

Working with Benny was important for me and for black musicians in general. — © Lionel Hampton
Working with Benny was important for me and for black musicians in general.
There was segregated unions, which was a real problem for me because - especially as I was working in the recording scene, I had flack from the white union for hiring black musicians. I had flack from the black musician by hiring white musicians.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
The distance between me and Benny [Goodman], was that I was trying to play a musical thing, and Benny was trying to swing. Benny had great fingers; I'd never deny that. But listen to our two versions of 'Star Dust.' I was playing; he was swinging.
What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.
What Spotify pays me is not even enough to pay the musicians playing with me or the people working on the discs. It's not working. Something is going to have to give.
Black musicians were imitating speech cadences, and Kerouac was imitating the black musicians' breath cadences on their horns and brought it back to speech. It always was speech rhythms or cadences as far as the ear that Kerouac was developing. All passed through black music.
At the upper echelon of musicians in general, I guess performers in general, you have to have this kind of live-or-die, cutthroat mentality.
From the small clubs of the Harlem Renaissance where he began playing saxophone to world tours for the biggest of the big bands, Benny Carter redefined American jazz. From the start, his fellow musicians said the way he played the sax was amazing. They say that about me, too. (Laughter.) But I don't think they mean it in quite the same way.
When I was young kid, I used to watch Jack Benny, and I thought the minimal aspect of what he did was revelatory. I loved Jack Benny.
When it came to all around ring generalship, Benny Valgar was on a par with Benny Leonard, though Leonard packed the better punch
No, it's the musicians and I must say they are an accomplished bunch, but odd, as musicians tend to be. Is it the vibration from their instruments, do you suppose, working on the brain? All that fraught buzzing?
I've been working a lot with Benny Blanco; he's a producer. And I've been working with Diplo and a bunch of other people. Detail, Charlie Handsome. A variety of people.
In Britain, we need to start presenting the option of being a writer in front of black women. We need to present the idea of being a writer into poorer communities because the majority of black people in this country are working class. We need to let working-class people know that their voices are important.
Jack Benny, Fred Allen. Their jokes were wonderful. It takes skill to be funny. The timing of Jack Benny was so fine. It is a form of genius for which we should be grateful.
I'm working really hard to get the clarinet out of that hole, that Benny Goodman thing.
The easy answer is to say that it's a part for black people to see black heroes, but to me it's important to young Mexican kids to see a black hero.
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