A Quote by Lionel Richie

So much of my career has been about saying things the way people say them, using melodies not that I can sing but that the people can sing. — © Lionel Richie
So much of my career has been about saying things the way people say them, using melodies not that I can sing but that the people can sing.
Only a handful of people are honest when they sing. A lot of people sing about very vague things, or they'll sing about someone breaking up with them, but a lot of people don't go too deep into their past and stuff, because they don't want it to be let out. I just do it anyway.
I want to sing using a throatsinging style, like for example kargyraa, but at the same time sing it like a normal way. Maybe I will try some opera. To sing a melody, and to sing not only Tuvan traditional melodies, but I would like to try Western classics, blues. I think Tuvan music and American blues are very close to each other.
The best career advice was to sing with an understanding and internalise the music - that was my mother's advice. Sing with intention, believe what it is you're saying, and think about it, before you sing it.
That's the beautiful part about acting - you get to play somebody other than yourself. So, I'm open to people who can't sing, people who can, people that sing a little bit, or people that sing a lot.
Some people can sing, and they can sing sing, but Brandy can not only sing sing, but she has a voice and a tone that is unlike any other.
The things we sing about are timeless. Political affairs and social situations come and go. But if you're singing about empowerment and not playing by the rules, you can sing about them until you can't sing anymore.
All I ever did was the songs I wanted to sing, in the way I wanted to sing them, and when people went crazy about them, it totally surprised me.
And mostly all I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don't like them as much as I do.
Everyone should dance. And everyone should sing. People say, 'Well, I can't sing.' Everybody can sing. That you do it badly is no reason not to sing.
Some shows feel very reverent - when you're in a seated theater, no one really sings. I love it when people sing! I wish people would sing all the time. Because one of my favorite things when I get to do as a musician is step away from the microphone and listen to everyone sing together.
Someone once asked me why people sing. I answered that they sing for many of the same reasons the birds sing. They sing for a mate, to claim their territory, or simply to give voice to the delight of being alive in the midst of a beautiful day. Perhaps more than the birds do, humans hold a grudge. They sing to complain of how grievously they have been wronged, and how to avoid it in the future. They sing to help themselves execute a job of work. They sing so the subsequent generations won’t forget what the current generation endured, or dreamed, or delighted in.
The melodies were melodies that anybody could sing or hum or whistle. And the words were just about that simple. I think the stories Hank told in his song fit so many people. Nearly everybody in the audience acted as if Hank were singin to them alone.
The voice has been my joker card that sometimes has played like an ace and sometimes a joker. When you sing the way I sing, it's impossible to get people to talk about anything else.
Have you ever heard somebody sing some lyrics that you've never sung before, and you realize you've never sung the right words in that song? You hear them and all of a sudden you say to yourself, 'Life in the Fast Lane?' That's what they're saying right there? You think, 'why have I been singing 'wipe in the vaseline?' how many people have heard me sing 'wipe in the vaseline?' I am an idiot.
Whenever I sing 'Total Eclipse of the Heart,' the way people sing along with me still excites me. It's one of the songs that audiences know all the lyrics to, and they sing along with me, and it makes me so happy. People also know my songs 'Holding out for a Hero' and 'Lost in France,' and this gives me so much joy on stage.
The things that affect you most deeply - the things that will destroy you if you don't sing about them - are the things that you often end up singing about. It's really just about saying those things that everybody thinks but no one will say and making a connection by uncovering these diamonds that are inside of all of us that no one wants to tell each other about.
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