A Quote by Lionel Shriver

Notoriety is cheap. It's just easier to get noticed by doing something bad. — © Lionel Shriver
Notoriety is cheap. It's just easier to get noticed by doing something bad.
Even with cameras being very cheap, one thing that researchers noticed was that you look really bad in a videoconference image because the lighting is bad and you get shadows and things.
I knew that the only way to get noticed would be by doing something that was not expected of me. I was sure I wouldn't get noticed if I continued to play the heroine in films like 'Chashme Baddoor.'
I've always had this impression that notoriety came when you're trying to get notoriety.
We cheated, you and me, and someone noticed. I noticed you; someone else noticed me. It hurts us. That's not so bad. So many people cheat. Everywhere on every level. Everyone's cheated. I'm just saying that you don't need to see yourself as a cheater. Because that's not who you are. You're someone who cheated. There's a difference, and you should try to get that difference, or that's who you'll grow up to be.
Those places I don't understand, just doing bad food. It takes some doing. Making good pasta is so much easier than making bad stuff. It actually takes quite an effort to make poor linguine pomodora.
It's easier to write about those you hate — just as it's easier to criticize a bad play or a bad book.
If you get a certain amount of notoriety for doing something, and you can stick to that type of project for the rest of your life and make a decent living, I think you still have a responsibility to stretch. Flexibility is what keeps you alive.
Doing drama is, in a sense, easier. In doing comedy, if you don't get that laugh, there's something wrong.
If you don't get noticed, you don't have anything. You just have to be noticed, but the art is in getting noticed naturally, without screaming or without tricks.
I think that at a certain stage those early ambitions burn away, partly because you achieve something, you get something done, you get some notoriety. And then the particularities of who you are and what your deepest commitments are begin expressing themselves. You're not just chasing the idea of "me" being important, but you, rather, are chasing a particular passion.
I've noticed that sometimes when you keep things a little smaller, it's easier to focus on the creative aspects of what you're doing.
That's the nice thing about doing stand-up. There's no development, you just go out there and get an immediate response as to whether something is good or bad. Getting a laugh is the best measure of how well you're doing.
Men often mistake notoriety for fame, and would rather be remarked for their vices and follies than not be noticed at all!
I hate to say Americans are ignorant and lazy, but a lot of them are ignorant and lazy. It's just like what I was talking about with Rebel Music and art. When you live in a place that has a lot of good things that make life easier, it's easier to take them for granted. But what frustrates me to no end are people who want to blame Obama or blame anything that is something that if they were actually doing anything as simple as voting, it might not be as bad as it is.
I operate under the assumption that people don't notice the good in me. That's just how things always seem to play out. I get blamed, while con-artist kids like Venus, and Camille, and Gemma get believed. But the rescue lady noticed. In the background, just observing, she noticed.
All you do as a performer is keep doing it. If you keep doing it, then it depends on why you're doing it. If you're doing something for superficial, monumental reasons and if you're doing it for female attention, or if you're doing it for money, it's like being upset. Only way you can get upset is when you expecting something. If you don't get this award or don't get that award, that because you expect something.
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