A Quote by Lionel Shriver
It's always the mother's fault, ain't it?" she said softly, collecting her coat. "That boy turn out bad cause his mama a drunk, or she a junkie. She let him run wild, she don't teach him right from wrong. She never home when he back from school. Nobody ever say his daddy a drunk, or his daddy not home after school. And nobody ever say they some kids just damned mean.
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She was in a terrible marriage and she couldn't talk to anyone. He used to hit her, and in the beginning she told him that if it ever happened again, she would leave him. He swore that it wouldn't and she believed him. But it only got worse after that, like when his dinner was cold, or when she mentioned that she'd visited with one of the neighbors who was walking by with his dog. She just chatted with him, but that night, her husband threw her into a mirror.
Victoria Beckham is so nasty, why doesn't she just go home?! Her dresses are beautiful, but I don't care what she does. She's mean to all the people around her. She's too short to be a diva. We all use the same hairdressers, make-up artists, limo-drivers and greeters at the airports in LA and nobody has anything nice to say about her. They say she's rude. She can't always just be having a bad day.
She was sound asleep when he came to curl up next to her. She grunted. "Don't worry. I'm too drunk, I won't do anything," he murmered. As she had her back to him, he placed his nose on her neck and slid his arm underneath her to be as close to her as possible. Short strands of her hair tickled his nostrils. "Camille?" Was she asleep? Was she pretending? No answer either way. "I like being with you." A little smile. Was she dreaming? Was she asleep? Who knows.
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
My mother always told me if I rode a motorcycle with a boy, she'd kill me." ... She couldn't hear him laugh, but she felt his body shake. "She wouldn't say that if she knew me," he called back to her confidently. "I'm an excellent driver." -Clary & Jace, pg.289-
Once, she made a boy come out of his house and kiss her under the streetlight. It was her first kiss. She thinks it was probably his, too. She never told him and she never, ever will.
She couldn’t read his expression. As he started toward her, she recalled the way he’d seemed to glide through the sand the first time she’d ever seen him; she remembered their kiss on the boat dock the night of his sister’s wedding. And she heard again the words she’d said to him on the day they’d said good-bye. She was besieged by a storm of conflicting emotions—desire, regret, longing, fear, grief, love. There was so much to say, yet what could they really begin to say in this awkward setting and with so much time already passed?
She looked at his young face, so full of concern and tenderness; and she remembered why she had run away from everyone else and sought solitude here. She yearned to kiss him, and she saw the answering longing in his eyes. Every fiber of her body told her to throw herself into his arms, but she knew what she had to do. She wanted to say, I love you like a thunderstorm, like a lion, like a helpless rage; but instead she said: "I think I'm going to marry Alfred.
Elektra met Matt, and she fell in love with him. And I think he brought some good out of her at some point in her life, and maybe she wants to figure out, by coming back to him, who she really is. She comes back because she misses him, and she's alone, and the only person she's ever loved is Matt.
She saw him the first day on board, and then her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him.
Billy covered his head with his blanket. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away. It wasn’t that she was ugly, or had bad breath or a bad personality. She was a perfectly nice, standard-issue, brown-haired, white woman with a high school education. She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone through so much trouble to give him life, and to keep that life going, and Billy didn’t really like life at all.
Gabriel pulled her over his body to lie on the bed beside him. His kisses pressed her down into the oblivion of the mattress as her hands explored his chest, his shoulders, his face. "I want to lay my kill at your feet," he said, more growl than words, and held her tight by her hair as he marked her neck with his teeth. She writhed against him. She wanted to bite him, she wanted to rip the flesh from his back, but most terrible of all, she didn't want him to stop. Her back arched, her body shattered, she howled.
She nodded... and was about to turn away. Then, as if she thought better of it, she reached out and grabbed his arm. "Jack." "Yes?" "I. . ." she faltered. She knew what she wanted to tell him, but she couldn't bring herself to say the words. It turned out she didn't have to. Jack put a hand to his heart and nodded. "I feel the same way about you.
She knew that she belonged to this man, body and soul. Every trace of shame departed; it was burnt out by the fire that consumed her. She gave him a thousand opportunities; she fought to turn his words to serious things. He baffled her with his shallow smile and ready tongue, that twisted all topics to triviality. By six o'clock she was morally on her knees before him; she was imploring him to stay to dinner with her. He refused.
He felt safe with her. He'd never been safe with another human being, not since he'd been taken as a child from his home. He'd never been able to trust. He could never give that last small piece - all that was left of his humanity - into someone else's keeping. And now there was Rikki. She let him be whatever he had to be to survive. She didn't ask anything of him. There was no hidden motive. No agenda. Just acceptance. She was different - imperfect, or so she thought - and she knew what it was like to fight to carve out a space for herself. She was willing for him to do thar.
In the silence, she felt the past and the present shift and mix, but that was a mirage. There was no way to comfort the lost boy he'd been back then. But she had the grown male. She had him right in her arms, and for a brief moment of whimsy, she imagined that she was never, ever going to let him go.
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