A Quote by Lionel Shriver
In grad school, I took a workshop with Scott Spencer, whose excellent novel 'Endless Love' had just been turned into a film. We students were in awe of his prestige. Yet Scott himself was chagrined; for good reason, he hated the movie.
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The family of Keith Scott viewed the police video and it`s worth repeating that afterward the family made a statement through their lawyers which reads in part, "It is impossible to discern from the videos what, if anything, Mr. Scott is holding in his hands. When he was shot and killed, Mr. Scott`s hands were by his side and he was slowly walking backwards."
Scott Eastwood always came in and did a good job. And he's now graduated to better roles, and the chicks are all calling and asking where Scott is. They used to ask where I was. Now they're going, "What about Scott?"
Upon reading the deeply serious opening of Scott Spencer's 'Endless Love', you will very likely laugh out loud. The tone is something like what you might find in a teenager's diary: verbose, feverish, furiously self-important.
People say 'Scott's [Derrickson] movies are kind of scary, is this a horror movie?' Of course, [Doctor Strange] it's not a horror movie. But what Scott has done so well in the best of his films is have one foot completely in the real world and one foot in this whatever supernatural sub-genre he was playing with.
And, for the record, I didn't murder anybody. I want to make that clear. It's entertainment and it brings about the message I believe Scott wants to portray in this movie. There are a few messages in the movie and I'm not going to tell you what they are, but Scott hits the nail on the head with him.
When I took over the Writers' Workshop, it was one little class and there were eight students. All of them, brilliantly untalented... I had an absolute vision after the first workshop meeting.
There were times over the years when I wanted to take a break from 'Scott Pilgrim,' or even just stop doing 'Scott Pilgrim,' when I was feeling down or whatever.
Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.
Though a fine writer, Scott Spencer will forever be associated with a cheesy, sentimental film starring the vapid box-office draw Brooke Shields.
Tony Scott, Walter Hill, Michael Mann - I'm a big action fan, full stop. And even though Michael Mann is the more celebrated film-maker than Tony Scott, I love them both in different ways.
Growing up, watching the New Jersey Devils, I watched players like Ken Daneyko, Scott Stevens, Scott Niedermayer, old school players who respected the game.
I was able to get a few words out that Scott Peterson was the Scott Peterson that had a missing, pregnant wife and ... I just shook. They said I was there probably like an hour and it just seemed like a moment ... I couldn't stop shaking. So I was, I guess, in shock.
Ridley creates a very immersive world, so when you walk up to a Ridley Scott film set you're in Ridley Scott's imagination, and it's a really comfortable, cool place to be.
But instead of taking the cue to leave, Patch crossed to Scott in three steps. He flung him around to face the wall. Scott tried to get his bearings, but Patch slammed him against the wall again, disorienting him further. “Touch her,” he said in Scott’s ear, his voice low and threatening, “and it’ll be the biggest regret of your life.” Before leaving, Patch flicked his eyes once in my direction. “He’s not worth it.” He paused. “And neither am I.
Film rights were in the offing for 'The Onion Field,' eventually made into a movie in 1979; 'The New Centurions' became a 1972 film starring George C. Scott, while 'The Blue Knight' starred William Holden in a 1973 mini-series version.
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