A Quote by Lisa

We've learned a lot of dance genres that a lot of girl groups tend not to learn, and we think those things will be a point of differentiation when we perform on stage. — © Lisa
We've learned a lot of dance genres that a lot of girl groups tend not to learn, and we think those things will be a point of differentiation when we perform on stage.
I did a lot of little girl groups here and there just to get more comfortable on stage. When you're in girl groups, it's a lot different because if you mess up, there's someone on stage to back you up, and finally I got to a point where I knew I could do it on my own.
I tend to work in layers. There's a huge orchestra in the film, but I also record a lot things with very intimate groups, and I like to be able to use the textures of those intimate groups.
When I started training, I learned a lot, you know - respect. I think you learn a lot of things, and kids should learn mixed martial arts for discipline.
I've learned a lot from my mom and my dad. I learn a lot every time I watch Billie perform.
There's a lot of good rappers in England at the moment. There's a lot of good dance acts. A lot of good, young guitar acts. I think a lot of groups came from that dole culture of the late 80's/early 90's - it's not as easy now. I think there's a dearth of working class bands.
By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
One of the most valuable lessons I learned...is that we all have to learn from our mistakes, and we learn from those mistakes a lot more than we learn from the things we succeeded in doing.
I tend to sit around with my friends a lot and rant and rave about things I think are ridiculous in the world, and I tend to make fun of myself a lot.
When you dance you need an awful lot of energy. Off stage, you learn to conserve.
Music and dance influence my style in a lot of ways. Sometimes I go off to work dressed up like I'm going to hit the stage and perform.
Patience is probably the hardest thing I've had to learn in tryin' to love a girl. My lifestyle is very fast-paced; I'm always goin' somewhere, always on stage, and when I perform I perform at a high intensity. Sometimes I carry that energy off of the stage, into my private life. Sometimes I encounter girls who want me to take my time. When you're such a fast-paced, in the fast lane kinda guy, you don't really take the time that's necessary; you're like, "I want it now! If you can't give it to me now, well then." And from that, you end up losin' a lot of great people.
The kind of roles that I'm right for on stage tend to be quite young, and ingénue roles can be a little unfulfilling. They tend to fall into one slot: play the innocent young girl who comes on and does a lot of crying.
I'm not at the hoarder stage, but there are two or three storage units here and there. I have things that a lot of people put a lot of heart and soul into, a lot of mental energy. I'm good at keeping those things. When it comes to pop culture, as you move through this fast lane, you wonder where it all goes and how you can hold onto it.
I learn from winning, because it's much easier to point out things when you lose. But I think the alternate competitors can point out a lot of things when you win.
I think the outside world can learn a lot about how to act by watching a major league clubhouse. I don't think you want to do everything the same, but there's a lot of things I think people could learn from.
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