A Quote by Lisa Edelstein

There are some great shows that come and go really fast, either because the network doesn't give them a chance or they just don't grab on to the psyche of the country quickly enough.
I can go into LinkedIn and search for network engineers and come up with a list of great spear-phishing targets because they usually have administrator rights over the network. Then I go onto Twitter or Facebook and trick them into doing something, and I have privileged access.
Network shows shoot so fast, so you kind of have to just go with your instinct.
I despise shows that present friendship where you're always there for each other and really strong because I don't know anyone like that. I mean, I've got great friends, but I can go months without seeing them because I think, 'I just can't deal with having to give you anything.'
I despise shows that present friendship where you're always there for each other and really strong because I don't know anyone like that. I mean, I've got great friends, but I can go months without seeing them because I think, 'I just can't deal with having to give you anything.
My feeling was, "This is the future." And what's great about a place like Amazon is they really give the creators of their shows freedom, and there is less limitations imposed on them creatively than when you're making a conventional network show.
Walking was not fast enough, so we ran. Running was not fast enough, so we galloped. Galloping was not fast enough, so we sailed. Sailing was not fast enough, so we rolled merrily along on long metal tracks. Long metal tracks were not fast enough, so we drove. Driving was not fast enough, so we flew. Flying isn't fast enough for us. We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind.
The thing I'm obsessed with is really great bad paintings. I have a storage locker full of them and I want to give them their own museum. You don't even know who these artists are - you can buy them at garage sales, antique stores and places like that. They're brilliant because they were done with the intention of being great, but the artist sort of made a wrong turn. Some of them are hilarious and I can't get enough of them.
Investors are trying to work out some risk premiere that have some correspondence with actual risks. But they don't, they're not, they can't go very far that way, because the actual correspondence isn't really there in a lot of cases. So once people stop believing in these stories, and then the crash can come very, very quickly. They believe that house prices are correctly priced for some time and then suddenly they realized there's no real basis for that. But what is the correct price? We don't know that either. It's just that everything swings.
To you people out there, you producers and you network owners and you agents and you creative sparks, please give transgender talent a chance. Give them auditions. Give them their story. Do that.
If producers want to lure the few TV holdouts left, all they have to do is give them a good script and a guarantee of enough time to rehearse. They'd be surprised how fast those hard-to-gets would grab at the bait!
I don't think the job of the antiracist is to convert the far-out heathen racist, or give them their 'come to Jesus' moment, as it's called. They'll either have those or they won't, and usually, when they have them, it's not because of something someone said per se; it's because of some life crisis that makes them rethink.
It's a really nice way to cut your teeth, doing live shows. It's like going to the gym because you do have to think fast. You are constantly under the threat of people not laughing. Instead of getting hit, people could just not laugh, so you really are trying to mine quickly for the funniest thing you could say in that moment.
I had demos that I'd send out of the songs and I'd get, "Great, can't wait to get in a room and actually play this and work on the album." So, it was good all-around because they knew even though I wasn't with them for some of the shows, I was being productive, which was really important because I didn't want to just sit on my ass. Once I was able to use my hand again, I would go right into it.
Nowadays, you really have to make an impression quick and I think this does give people a chance to show off what they've got. It's very difficult these days. You really have to stand out quickly. I think it's also so diverse that there's enough material for everybody.
Sometimes the most incredible shows don't do well because they're ahead of their time or people just don't get into it quickly enough.
I hope to stand firm enough to not go backward, and yet not go forward fast enough to wreck the country's cause.
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