A Quote by Lisa Gardner

Before I became a suspense novelist, I wrote romantic suspense as Alicia Scott. — © Lisa Gardner
Before I became a suspense novelist, I wrote romantic suspense as Alicia Scott.
I read what I like to write: romantic suspense. I also love thrillers and novels of suspense, but I can't handle extreme violence and torture.
Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.
I challenged myself to write/direct a romantic comedy. People trash talk the rom com, but it's one of the oldest cinematic genres, with stellar origins like Twentieth Century and Trouble in Paradise. I think as audiences lost their innocence, the genre lost its suspense. To create suspense, you need obstacles, so I gave my couple an obstacle that very few people ever overcome: their own behavior and their past.
Suspense-is Hostiler than Death-Death- tho soever Broad, Is just Death, and cannot increase- Suspense-does not conclude-.
I've always been fascinated by how the past impacts the present. For the first half of my career as a novelist, I wrote psychological suspense mysteries. I wanted to be a therapist but was told that while I was a fine diagnostician, I would be a terrible therapist because I wanted to solve everyone's problems.
The suspense of a novel is not only in the reader, but in the novelist, who is intensely curious about what will happen to the hero.
You have to go out of your way as a suspense novelist to find situations where the protagonists are somewhat helpless and in real danger.
The suspense in a novel is not only in the reader, but in the novelist himself, who is intensely curious too about what will happen to the hero.
I'm unique for a suspense author in that I don't have a specialty background. A lot of suspense writers used to be lawyers or crime beat reporters. I didn't even know a cop when I started out. I finally figured out that I could visit prisons - I just had to be willing to make the phone calls.
If a book is worth reading at all, it is worth reading more than once. Suspense is the lowest of excitants, designed to take your breath away when the brain and heart crave to linger in nobler enjoyment. Suspense drags you on; appreciation causes you to linger.
I am more of a suspense writer. A mystery writer solves mysteries. I am a high suspense writer.
A woman, I always say, should be like a good suspense movie: The more left to the imagination, the more excitement there is. This should be her aim - to create suspense, to let a man discover things about her without her having to tell him.
I've mis-signed many a book Rollins or Clemens. My readers quickly become aware. Booksellers will often promote me under both names, and I do plug both at signings. Generally, the fantasy reader has no problem going into the suspense genre. It's harder for the typical suspense reader to go the other direction.
Of all the conditions to which the heart is subject suspense is one that most gnaws and cankers into the frame. One little month of that suspense, when it involves death, we are told by an eye witness in "Wakefield on the Punishment of Death," is sufficient to plough fixed lines and furrows in a convict of five and twenty,--sufficient, to dash the brown hair with grey, and to bleach the grey to white.
Leadership requires the ability to engage and to create empathy for communities with disparate needs and ideas. Telling an effective story - especially in romantic suspense - demands a similar skill set.
Good romantic suspense can never underestimate the audience, and the best political leaders know how to shape a compelling narrative that respects voters and paints a picture of what is to come.
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