A Quote by Lisa Gerrard
We always have a basic structure for a piece of music, but we encourage the musicians to elaborate on whatever they feel at that particular moment. There's a definite conversation happening on stage. I think it is very important for us as creative musicians, to instantaneously describe any energy that is visible at that time.
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Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
Artists, whether they're classical musicians or pop musicians, they have always been the reflection of society, and in many ways a healing part of whatever is wrong in society, and I think it's important for us to continue to do that, and I don't see enough of it today.
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
When you think about musicians who are reading music, my contention has always been the energy that you're using deciphering what the symbol is is taking away from the maximum creative energy that you might have had if you understood that it's but a symbol.
There is a basic language of music that I think is important for communicating with other musicians - just the kind of terminology that might make it easier to describe your ideas to the other guys in your band.
To me, music and songwriting is... part of the intriguing thing is the creative process; you know, the creative thought process. Relying on that... there is some sort of inspiration there and you can't always put your finger on where it comes from. So, it's always been important for me to have my own thing and, even though I'm inspired by and influenced by many different musicians and styles of music, I was very determined early on to have my own thing. So when I sit down to write I don't necessarily have a particular narrative or message in mind. I'm interested in language and in words.
You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.
Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.
Some musicians make and record music; other musicians play in a band... I just make and record music, and I don't feel a part of anything in any music business.
Ultimately, I think there's this umbrella term of jazz, and what's cool about not just what's happening with my music but this general sense of what's happening with this generation of musicians, is it's a very broad term, and we can incorporate all types of music, and we can be influenced and inspired by all kinds of sounds.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn't like that for me. I didn't think of it as a job or a career - it was just something that was constant.
An album represents an artist or a band or a group of musicians at any given moment in time. You just produce the music that you feel good about and hope that the audience shows some interest in it.
When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments.
That's for non-musicians to say: "I only listen to this or that type of music." I think musicians love all music, or at least that's my case.
The source of inspiration can be any of the things:deep emotional experiences - say, romantic love or spiritual contemplation.I think such rare moments come only when you have total concentration. You are consumed in and by the music. I guess you could say that it is akin to contemplation. In order to reach this desirable state of mind you have to rise above the environment you're in at that particular time - a bad piano, glaring stage lights, or the attitude of the audience. Sometimes the inspiration of the other musicians you're playing with helps you reach this stage.
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