A Quote by Lisa Hanawalt
Humans are generally much trickier to draw because we're so used to looking at and analyzing human faces. The slightest tweak makes a huge difference in how we perceive that character.
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Ugly programs are like ugly suspension bridges: they're much more liable to collapse than pretty ones, because the way humans (especially engineer-humans) perceive beauty is intimately related to our ability to process and understand complexity. A language that makes it hard to write elegant code makes it hard to write good code.
You can understand so much about how consumers perceive a brand by analyzing their spontaneous, subconscious responses.
I'm very interested in the question of how we perceive something, how consciousness goes from one thing, like looking at you in your black hat to what it might mean to my imagination and how I would draw that or write that, how I would subjectify you? It's something that is endlessly interesting to me.
I don't know what is in store for the movie business any better than anybody else does, but it does seem like my kind of movies are a little trickier than it used to be - or maybe a lot trickier.
When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex.
I'm not sure that I 'am' a philosopher - but I do engage with questions that are generally recognized as philosophical questions, such as the character of human existence and what makes for a good human life.
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.
That term, 'human rights', makes me ill.Human rights are only for 'humans', therefore for the West. And for the rest of the Planet: there, the 'human rights' are used to discredit uncomfortable, even 'hostile' governments through countless implants like NGOs.
When humans act like animals, they become the most dangerous of animals to themselves and other humans, and this is because of another critical difference between humans and animals: Whereas animals are usually restrained by the limits of physical appetites, humans have mental appetites that can be far more gross and capacious than physical ones. Only humans squander and hoard, murder and pillage because of notions.
The most evident difference between man and animals is this: the beast, in as much as it is largely motivated by the senses and with little perception of the past or future, lives only for the present. But man, because he is endowed with reason by which he is able to perceive relationships, sees the causes of things, understands the reciprocal nature of cause and effect, makes analogies, easily surveys the whole course of his life, and makes the necessary preparations for its conduct.
Personal credibility has everything to do with how others perceive us and how we perceive ourselves. Sandy Allgeier’s book teaches the all-important truth that it doesn’t matter how much money, status, or power you have if nobody believes in you. Every parent should read The Personal Credibility Factor and instill its lessons in their kids.Achieving a full understanding of these principles is the first step in becoming a truly great human being.
It's a pain to draw different-looking humans.
At their best, thrillers not only entertain. Ideally they also reflect the society in which they are set, analyzing our fears and how we perceive the world.
I don't consider myself a cartoonist, because to me a cartoonist has a lot of technical ability to draw and such. However, I do consider myself to have a bit of a cartoonist character. I definitely am analyzing and satirizing pop culture and politics and whatever strikes my fancy.
We thought it was only in science fiction that things created by humans could actually take over what is inherently our human heritage. But Thom Hartmann shows how we've already let that happen on a frightening scale - not in Frankenstein's monsters or Kubrick's creeping computer Hal - but in the corporations that present their friendly 'faces' to us as if we have nothing to fear from this ultimate usurpation of our rights as real humans.
I think the human body is beautiful, and I don't really have a huge problem in dealing with it, but it's the context, the environment and what I feel about it that that makes the difference for me.
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