A Quote by Lisa Hanawalt

I no longer enjoy drawing people's pets. I just want to draw what I want to draw and have people not tell me what to draw. — © Lisa Hanawalt
I no longer enjoy drawing people's pets. I just want to draw what I want to draw and have people not tell me what to draw.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it. You cant draw it for others. You can try, of course, but it doesn't work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
I am a one-trick pony. If you tell most people to draw a picture of a tree, they'd draw 35 branches and 10,000 leaves. I will draw you a tree with four branches and three leaves, and I'll spend the rest of the week drawing inside of each leaf. In terms of the grand gesture, I reserve that maximum turbo blast energy for what I do as an artist, and I sing and dance for dinner.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
People can't draw now and don't feel it's necessary. Art students don't seem to want to draw.
If I do need to make money suddenly, I prefer to just draw something I want to draw and have someone else sell it for me on the Internet.
Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?
It is probably like an artist. They see in their head what they want to draw, and they draw it. It is like I have a feeling inside me that I want to create on a horse, and that is what I do.
If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with. I've always found it so fascinating.
What is the good of drawing conclusions from experience? I don't deny we sometimes draw the right conclusions, but don't we just as often draw the wrong ones?
When we drop fear, we can draw nearer to people, we can draw nearer to the earth, we can draw nearer to all the heavenly creatures that surround us.
I worked at Disney many years ago. They just let me sit in a room for a couple of years and draw whatever I wanted to draw, so it's a very personal thing to me. Drawing and everything you do there is something meaningful and personal.
Tears are tears, but I don't want to draw tears that aren't proactive. The feeling "Ahh, it's so sad" when people die and it's all over, it doesn't feel quite right. Even though a lot of people died in Gintama. Even if people die, it's not the end. I don't want to draw tears that fall and stay at the same place, but droplets that sprinkle along the road to one's future.
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