A Quote by Lisa Haydon

I wear what I feel most comfortable in. I love black and grey. I like colour as long as it's understated. — © Lisa Haydon
I wear what I feel most comfortable in. I love black and grey. I like colour as long as it's understated.
The colour grey makes you feel uneasy, makes things seem complicated and hopeless, it upsets the notion of black and white. Good and evil? There is no such thing. There is a little good and a evil, a little black and a little white. Grey is not an attractive colour, but perhaps it is the one that describes the world most accurately.
Now, among the heresies that are spoken in this matter is the habit of calling a grey day a "colourless" day. Grey is a colour, and can be a very powerful and pleasing colour.... A grey clouded sky is indeed a canopy between us and the sun; so is a green tree, if it comes to that. But the grey umbrellas differ as much as the green in their style and shape, in their tint and tilt. One day may be grey like steel, and another grey like dove’s plumage. One may seem grey like the deathly frost, and another grey like the smoke of substantial kitchens.
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.
I have a lot of social engagements, and I like to dress up for them. I try to wear what I feel comfortable in, as self-confidence is so much about how you look. Generally, I love to wear long dresses; they make you feel special.
My style is understated because everything I wear, I want it to have an effortless feel to it. I always want to be comfortable in my clothes and feel like myself, but I like to usually throw in some edge in there somewhere, even just with a leather jacket. But overall, always gotta keep it classy!
I have very little fashion sense, and to tell you the truth, I give it very little thought. I dress to be as comfortable as I possibly can. Most of my clothing is either black, grey, or dark blue, and I don't really wear a lot of colours. But I do like jackets. I have a little bit of an obsession with them.
When I was younger, I used to power dress - I'd wear black and grey and suits all the time, to make it feel like I belonged.
I still love the skinny jeans thing and I wear my favorite leather jacket constantly. I like being kind of a rock star. I love that I can feel comfortable in a small dress or I can feel comfortable wearing a baggy T-shirt.
I wear a lot of black, and it's not because I'm depressed or anything. I like black jeans - they're pretty much the only colored jeans I wear. James Jeans have the most comfortable fabric. I'd say in general, I dress pretty comfortably.
The grey is certainly inspired by the photo-paintings, and, of course, it's related to the fact that I think grey is an important colour - the ideal colour for indifference, fence-sitting, keeping quiet, despair. In other words, for states of being and situations that affect one, and for which one would like to find a visual expression.
One of the greatest thing about fashion is that it's a literal expression of your mood. Or it can be the opposite. You can feel bold and outgoing and wear something like that or wear all black and feel like you can hide a bit. It's expressionism. I really love that.
In my own life, when I'm not working, I do wear a lot of black. I think I do feel very comfortable in black.
I'm going to die wearing the same things that I love wearing. I'm going to wear my jeans. I'm going to wear wifebeaters. I'm going to wear my leather jacket. I don't care. As long as I can look good in it, and feel comfortable in it, then I'm going to do it.
One of the most important things is to figure out what your look is — I don't wear this black suit-white shirt combination all the time to try and be iconic — but because I'm most comfortable in this. Cary Grant never turned up in a pink jacket and hot pants and I don't feel the need to experiment when I know I like dressing this way.
Just as black and white, when mixed, make grey, in many ways that's what it did to my self-identity: it created a murky area of who I was, a haze around how people connected with me. I was grey. And who wants to be this indifferent colour, devoid of depth and stuck in the middle? I certainly didn't.
As I wouldn't wear a costume, I couldn't imagine him wanting to wear one. And seeing that the greater part of my wardrobe is black (It's a sensible colour. It goes with anything. Well, anything black)[...].
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