A Quote by Lisa Haydon

I am quite comfortable doing a fashion shoot in a bikini. It's no big deal. But on the film's set, with a hundred people milling around, I got nervous. — © Lisa Haydon
I am quite comfortable doing a fashion shoot in a bikini. It's no big deal. But on the film's set, with a hundred people milling around, I got nervous.
You can teach people to sew, set up a fashion shoot, send emails, deal with the media, but what you can't teach is a sense of style. You've either got it or you haven't, it's as simple as that.
Being on set is quite difficult, because it's so big and you've got to try and relax, which isn't easy when you know you're in a massive film. I was terrified for quite a long time.
I've come to a point where I am less nervous when I am supposed to start a film. I am still super nervous on the day but I've lost a lot of my fear about what kind of perception people have about my film.
People always said, "I can't believe you made a movie that had no script." Yeah, but here's the thing, if you've got actors who are used to that, and that's what they like to do, they're all good improvisers and they're all people that feel comfortable doing that, then you know, it's not that big of a deal. It's what you do.
Mostly, I am waiting. Got to finish the edit, I am waiting. Dubbing must get over, I am waiting. Waiting for shoot. Waiting for the set. When you are waiting, your mind isn't relaxed enough to watch a film.
I'm quite interested in doing a film about fashion. As someone with no fashion taste whatsoever, I think it would be good for me.
By doing a masala film or wearing a bikini, I am not trying to change my image.
I am quite comfortable with the way I look and I am not doing anything to change people's perception.
I was very comfortable on the set of Lost. I was so nervous when I went on to the set because I had just watched all the Lost episodes. I was, like, a fan. A big fan.
I was very comfortable on the set of 'Lost'. I was so nervous when I went on to the set because I had just watched all the 'Lost' episodes. I was, like, a fan. A big fan.
When you're standing around for an hour doing stand up it's no big deal but when you're standing around watching a show for an hour - it's a big difference. It's annoying - your feet hurt, your back hurts - it's just not the most comfortable way to see stand-up comedy.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all. By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
Back home I had always been comfortable around people. I was the troublemaker, always being funny - that's just who I am. I'm Latina; I've always had that extra little flavor. But when I got to New York, it became about being comfortable with myself in a place where I didn't know many people, and that was the big challenge. Ultimately my personality helped me build relationships with the people I was working with, and I was able to stand out.
It was quite natural - the first day I got to the set I was really nervous, but I loved the whole experience.
When you have all the bells and whistles - you've got the big, fancy catering, you've got the big, fancy car service and the big, fancy trailer - it makes it very comfortable and everybody's making a lot of money. But that doesn't necessarily mean you're going to end up with a great film.
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