A Quote by Lisa Jewell
'Ralph's Party' was a romantic comedy, and at the end of it, the two main characters, Ralph and Jen, kiss for the first time and think they're going to be happy together. Then, 10 years later, I wrote a sequel in which they've been together for 10 years and are about to split up.
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I'm 58 years old. I got married for the first time - it's about time, right? Growing up as a gay woman, you just don't ever think about that, and then I thought, about 10 years ago, 'You know, I think within 10 years gay marriage will be legal.' And here we are, 10 years later, making it legal.
I think there are beautiful moments. These days everybody expects that fairy tale , that you're going to be together forever with somebody and I don't really subscribe to that. I'd love that to happen if that happened, but 10 years is enough. 10 years is a good thing with somebody, I think. It's a nice thing. A lot of good love can happen in 10 years.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
I tried to write about my first marriage in a fictional version but got two pages into it and realised it was too personal. Then I came up with an old-fashioned love triangle, which became the plot for 'Ralph's Party.'
I really enjoyed the period in which I played my cricket. I can look back now and wish I started 10 years later and played in the T20s. But I also wish I was born 10 years earlier so that I could have been part of the all-conquering West Indies team of that time.
My creative process isn't a long one, so I could have started a song 10 years ago and then finish it 10 years later. It's all just about pushing around words and melodies, for me. The material is kind of shape-shifting.
I do not like to talk about the future. I don't like to be one of those people. It's so easy to have a very vague idea and say, oh, computers will be 3D-ish and then 10 years later I'll say I predicted it 10 years ahead. I don't think that's honest and I don't think that's valid and worth anything.
One of the more depressing things about reading your fiction 25 years later, or 10 years later, is you realize the only things going on are things you made go on. Strange and interesting and new and wonderful things don't happen. It's the book you wrote; that's all.
I've been doing comedy for 20 years now. I started when I was 13 and I think for the first 10 years I was impersonating other people.
I'm 25 years old; I've had a good career, and the best is yet to come. I want to fight for the next 10 years, which will be better than my first 10 years.
Nothing changed in my life since I work all the time," Pamuk said then. "I've spent 30 years writing fiction. For the first 10 years I worried about money and no one asked me how much money I made. The second decade I spent money and no one was asking me about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.
I had left the music industry at the end of 2001, after 10 years, and had spent three years writing every single day - producing two unpublished novels, one abandoned novel, and three unproduced screenplays. The word 'no' and I were on more than nodding terms. The word 'no' and I were talking about going on holiday together.
That's why I think some people kind of fall off and they end up going crazy because you don't give yourself time to go crazy. That's what you're supposed to do; you are 20, you are supposed to be a mess because you haven't figured it out yet, and 10 years from now I am supposed to have it all together.
I think the first time I tried to write a romantic song, it was just horrendously embarrassing. I remember thinking, 'Okay, I'm not going to do that anymore.' I think that sort of embarrassed me for the next 10 years.
If there's one regret I have of my time in comedy it's that I really I was so obsessed with improv for so many years and I exclusively did improv for the first 6 years or 7 years. I was doing comedy and then I started doing solo work and stand up, a bit of writing, making videos, and really going into it on that end.
The constant is always mythologies and the very first stories that we have. All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
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