A Quote by Lisa Jewell

Publishers have published women's fiction into a corner, and now we are all trying to punch our way out of it. We just have to write the best books we possibly can and hope that, once the pink covers and Bridget Jones have faded from memory, we might finally be allowed just to be called writers.
As Bridget writes to her son, in Bridget Jones' Baby - "if you just keep calm and keep your spirits up, things have a habit of turning out all right, just as they did for me."
I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemd a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore... Warm with life, hopeless unstable.
With so many dark things to worry about in the world right now, I hope people will just go with the fun and enjoy [ Bridget Jones's Baby: The Diaries].
The way that I'm feeling the shift in movie industry is that women are allowed to be part of the development process. So I do feel like things are changing because I'm allowed to option books or write an original screenplay or direct. Those possibilities are really wide open. I think that males still struggle to write for females, which is totally fine because I don't think I could write a really impactful male role because that's not the life that I lived. So we'll just keep shouting and say we need more opportunities for not just women but people that are just different.
I believe that the mainstream publishers, DC and Marvel, need to catch up as well. Out of the fifty-odd books that are published each month, just a handful are written by women, and even less of those are written by women of color. It's not right, and it's not good for the companies in the long-term. It's also not good for fans, for readers.
I didn't think [Ella Enchanted] would get published. Everything I'd written till then had been rejected. If it was published, I thought it might sell a few thousand copies and go out of print. I thought if I was lucky I could write more books and get them published, too. I still pinch myself over the way things have worked out.
That's when the idea for Mad About the Boy arrived. It wasn't even a Bridget [Jones] story initially - then I realized I was writing in Bridget's voice and it grew from there into a Bridget novel.
I tend to turn down books originally published as e-books. As for selling books directly to e-book publishers, I would do so only if all traditional publishers had turned them down.
Ben Karlin is a friend of mine and was a writer on 'The Daily Show.' He's just put out a book and asked a bunch of writers from various disciplines to contribute. It was called 'Things I've Learned from Women Who've Dumped Me,' and of course I agreed, and then I actually had to sit down and write it. God, writing fiction is terrifying.
Of course the chronology of the books is a bit back- to - front, and books usually come out before movies. But happily, these [Bridget Jones's] are fictional comedy diaries - not a history of the Battle of Waterloo.
We don't want to create a literary ghetto in which black writers are only allowed to write black characters and women writers are put on 'girl books.'
Like most new writers, I could only hope that one day one publisher might agree to publish one of my books; I couldn't imagine several publishers all wanting to buy the first book I'd written.
More than two years after Mad About the Boy was published, the [Bridget Jones's Baby: The Diaries ] movie started coming together. I felt better about the material, and found myself writing a letter from Bridget to her son: explaining the original story of how he came to be, from his own Mum.
When you write you in a way write out of what you think of as your best self, the part of you that is lacking in foibles and weaknesses and egotism and vanities and so on. You're just trying to really say something as truthful as you can out of the best that you have in you.
I'd always hoped to write the story as a novel, but there was a long period when the [Bridget Jones's Baby: The Diaries] movie was stalled and in confusion. I felt frustrated creatively, and just couldn't work on the Baby material till the movie was sorted out.
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