A Quote by Lisa Joy

I personally am not so obsessed about immortality for myself. The human body has been designed that way, obsolescence is OK. — © Lisa Joy
I personally am not so obsessed about immortality for myself. The human body has been designed that way, obsolescence is OK.
The human body has been designed to resist an infinite number of changes and attacks brought about by its environment. The secret of good health lies in successful adjustment to changing stresses on the body.
Two things I'm obsessed with are the countryside and fields and being in the open space and body parts, so you'll hear me mentioning body parts and human anatomy. I've listened to my songs and I think I am quite visual and I talk about bones and flesh a lot.
God made the human body like a machine with built-in obsolescence.
It suddenly hit me—it was nearly impossible to take good care of something I hated. I’d spent so long hating my body that I didn’t know how to respect and nurture myself or my body. By focusing so much on my exterior, I also robbed myself of the opportunity to feel good about myself and my body, simply because I didn't meet a cultural standard of beauty that is obsessed with thinness. That created stress that interfered with my weight loss and with my own happiness.
The arguments for immortality, weak when you take them one by one, are no more cogent when you take them together... For my part, I cannot see how consciousness can persist when its physical basis has been destroyed, and I am too sure of the interconnection of my body and my mind to think that any survival of my my consciousness apart from my body would be in any sense a survival of myself.
The outrage was on the scale of God. My younger brother was immortal and they hadn't noticed. Immortality had been concealed in my brother's body while he was alive, and we hadn't noticed that it dwelt there. Now my brother's body was dead, and immortality with it. ... And the error, the outrage, filled the whole universe.
I'm more honest in my lyrics than I am in anything else. It's where I feel the most safe to express myself. I write about growing up, my family, Maddie and getting pregnant. If I've lived it, why wouldn't I talk about it? I guess that's been the coolest thing - realizing that it's OK to just be myself and really tell my story.
I'm OK with being called plus size, I'm OK with being called fat. If someone is shouting that I'm fat in the street in a derogatory way, then obviously I'm not OK with that, but I'm comfortable using the adjective fat to describe myself, because I am fat.
I am so obsessed with workouts that I am ok with skipping a meal or two but I just can't imagine not working out for a day.
Yes, I'm doing damage to my body now. The human body isn't designed to be this size.
Personally, having an eight-pack is a high, but professionally, I cannot be obsessed with it. I'm an actor, not a body builder.
A constitution is framed for ages to come, and is designed to approach immortality as nearly as human institutions can approach it.
I'm always going to have to prove myself. That's the way my life has been, my career has been, and I'm OK with it. I've come to terms with it.
A theme I'm obsessed with is the tension between human nature and the frameworks designed to curb the worst and promote the best of it.
I guess I see a part of myself in everyone I write about. I tend to write about kids who are obsessed with something, and even though I have never been good with machines the way Hugo is, I did love miniature things when I was a kid.
There have been times when I'm writing about things that are personally embarrassing. Like any human being, sometimes I can't help but wonder - 'What are the people I know going to think about this?' So I have to remind myself that all is permissible. Art has to be a free space. Language has to be a free space.
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