A Quote by Lisa Kleypas
You're always looking for some new way to tell the same story, but it's how they get to the happy end that is the challenge and the fun for a writer.
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Studying psychology is fun because you're always looking for the same things I think a writer should be looking for, which is the story behind the story.
I'm always looking for a fresh perspective because it's fun to tell stories that are original and new in some way.
Obviously, you're always happy when you can tell a story completely from beginning to end and tell it in a satisfying way, where you're able to make yourself happy and make the audience happy.
That was the challenge. How can you tell the story here and make sure it goes the same way on the other side of the world?
I think of myself as a writer with a sense of humour rather than a comedy writer. Happy to tell a story with lots of jokes in it - I wouldn't know how to do jokes without the story.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
I don't think you can tell somebody how they should collect. I think it's just about being turned on by art.At the end of the day, some people just kind of get it. They don't all get it in the same way or get the same artists, but it's a journey that excites them.
I gravitate to stories that I feel I can tell well, and that will have a positive affect on the viewer. That doesn't mean it always has to have a happy ending, but I always like to try to tell a story that will make people think in a new way or come to their own constructive resolution on a particular topic. Or simply, just to experience something collectively and say: "Yeah, I know how that feels".
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
I don't have any one way to tell a story. I don't have any rule book of how it's supposed to be done. But I've always said that if a story would be more emotionally involving told, beginning, middle, and end, I'll tell it that way. I won't jigsaw it, just to show what a clever boy I am. I don't do anything in my script just to be clever.
As a writer, I challenge myself not to tell the same story - to tackle different characters with different issues.
No matter how many books you've written, whenever you sit down to write a new book, you always feel the same challenge - how do you shape this story into a book that people are going to love.
You can very often start a new season with a lot more viewers than you had, leaving off the season before. It's a chance to pull the show into a train station, stop the train, and let all these new viewers on, so you can tell a new story. In some ways, a second season is a chance to tell a brand new story that you can wrap up, at the end of it.
Every time I start off a book or a story I feel like I'm developing a new style or approach for that individual story alone, and it sometimes feels as if readers are looking for the same style/approach from the same writer over and over again, which hasn't helped me in the publishing biz.
I'm not an activist. I'm a filmmaker. I'm a dramatist. My strength is to tell a story, to find a way to tell a story that makes it exciting. Our Untold History was a huge challenge. Snowden was no piece of cake, because writing code and breaking code is some of the most boring stuff you've ever seen.
I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.
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