A Quote by Lisa Kleypas
I have never said this to anyone before.” Leo’s voice was like ragged velvet. “But the idea of you with child is the most insanely arousing thing I’ve ever imagined. Your belly all swollen, your breasts heavy, the funny little way you would walk … I would worship you. I would take care of your every need. And everyone would know that I’d made you that way, that you belonged to me.
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I think there is nothing that can replace your emotional response. The biggest mistakes I have ever made in my life are when people told me, "You really should produce this. It's a guaranteed hit." I would read the material and I would go, "I don't get it, but okay, I'll produce it." You're giving up that much of your life, your time with family and friends, to something that you're not really committed to - and they did not pan out the way everyone said they would, even though I worked just as hard.
After a universal silence, Leo was the first to speak. “Did anyone else notice—” “Yes,” Catherine said. “What do you make of it?” “I haven’t decided yet.” Leo frowned and took a sip of port. “He’s not someone I would pair Bea with.” “Whom would you pair her with?” “Hanged if I know,” Leo said. “Someone with similar interests. The local veterinarian, perhaps?” “He’s eighty-three years old and deaf,” Catherine said. “They would never argue,” Leo pointed out.
I feel like the point of being an artist is to have your own voice: to do it the way you would do it and not the way anyone else would do it. If you're a strong enough writer, then that voice is going to come out all the time, and I can't stop it from coming out, no matter what I do.
If you had one goal, and that was to feel good, you would never again need to hear another word from anyone. You would live successfully and happily and in a way of fulfilling your life's purpose ever after.
If you knew that only a few would care that you came, would you still come? If you knew that those you loved would laugh in your face, would you still care? If you knew that the tongues you made would mock you, the mouths you made would spit at you, the hands you made would crucify you, would you still make them? Christ did.
When I was a child, I would draw these little stick-figures, and my mom would put them up all over the loft and tell me how wonderful they were. Then you get out there into the harsh reality of the world, and you realize not everybody loves every little thing you do the way your mom did.
By now you know: I come from another planet. But I will never say to you, "Take me to your leaders." Even I--unused to your ways though I am--would never make that mistake. We ourselves have such beings among us, made of cogs, pieces of paper, small disks of shiny metal, scraps of coloured cloth. I do not need to encounter more of them. Instead I will say, "Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers; take me to your deaths." These are worth it. These are what I have come for.
Don't try to guess what it is people want and give it to them. Don't ask for a show of hands. Try your best to write what you like, what you think your friends would like and what you think your father would like and then cross your fingers... The most valuable thing you have is your own voice.
Consider yourself your own kid. Take care of yourself the way you would your own child. You wouldn't wait until your child was crying to take care of him/her.
It's that idea that you can have one drink - and no you can't. Within a week I was drinking heavily. It was so quick that even I was like, 'Wow.' Because you have that initial warm feeling going, 'Oh, I remember this'. And your body does, too. And your body goes, 'Yeah, so do I'. Then the demon voice comes, 'Yeah, so do I. You know what would be great? You know we bought a little bottle before? A full bottle would be wonderful'.
The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.
What would you do? Would you jump? Would you feel pity for yourself? Would you think about your family and your childhood and your dreams and all you're leaving behind? Would it hurt? Would it feel like dying? Would you cry, as I did?
The success of 'Take Me To Church,' I never imagined it. I never imagined that it would work on radio, that it would find its way onto the charts, even at home and certainly not in America.
I think with being blind the one thing you would have going is that you could still feel things, see your way around so to speak. And if you had had the experience of seeing at one time in your life, then you would know what it was like and be able to function. I've said this before, I think I could really photograph blind if I had to.
I've always done more than I ever thought I would. Becoming a professor - I never would have imagined that. Writing books - I never would have imagined that. Getting a Ph.D. - I'm not sure I would even have imagined that. I've lived my life a step at a time. Things sort of happened.
How would you like your child in kindergarten through 12th grade attending classes with kids who can't read, write, speak or understand English -- or American education values? Furthermore, how would you feel if those students felt zero investment in education, in English and the American way? How would you like your child's education dumbed down to that of a classroom from the Third World? Guess what? Today, if you're a parent of a child in thousands of classrooms across America, that's what's happening to your children with your tax dollars.
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