A Quote by Lisa Kristine
Oddly, I'd been to most of the locations where I started photographing slavery many times before. I even considered some of them homes-away-from-home. But there can be dark corners in familiar places.
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Some places, because of their spiritual history, are noted to be locations where people will often experience an open heaven. In fact, there are places where the heavens are open more than in other places. Most of you are familiar with previous moves of God in places such as Toronto (The Toronto Blessing), the meetings in Pensacola, and Argentina, just to name a few. Just like in Jacob's day, today, there are certain places where heaven is open, geographical locations where you are more likely to have an encounter with God.
Some places that I have been, I have brought a token or some home from different places I have been. Some of them are around the house, and some of them are tucked away safely.
There are so many beautiful locations in Rajasthan, so many beautiful locations in our India that have not been explored. Foreigners come and explore such places, but we fail to see those locations with that perspective.
The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.
I mean the reason that I started writing close to home, "Santa Fe," et cetera, was a kind of looking back on past events. I don't know, it's just some of the dark spaces I've been. And it feels like with a music career and whatnot, I've been able to crawl out of those places. So it's interesting to look back on them and try to hold on to the feeling of what you went through.
The reason why we find so many dark places in the Bible is, for the most part, because there are so many dark places in our hearts.
The characters are born from repetition, from repeatedly thinking about them. I have their outline in my head. I become the character and as the character I visit the locations of the story many, many times. Only after that I start drawing the character, but again I do it many, many times, over and over. And I only finish just before the deadline.
The historian of science may be tempted to claim that when paradigms change, the world itself changes with them. Led by a new paradigm, scientists adopt new instruments and look in new places. even more important, during revolutions, scientists see new and different things when looking with familiar instruments in places they have looked before. It is rather as if the professional community had been suddenly transported to another planet where familiar objects are seen in a different light and are joined by unfamiliar ones as well.
It has been so written, for the most part, that the times it describes are with remarkable propriety called dark ages. They are dark, as one has observed, because we are so in the dark about them.
Rather than being able to have a healthy relationship with our own sexual imagination, we're driven into some dark corners by shame and embarrassment and guilt, and those dark corners breed all sorts of monsters.
I never considered interior design as a career option. I had designed a couple of our homes, and people liked my work. Friends came forward and asked me to help them do up their homes, and that's how it started.
So many times it seemed like there were chances to stop things before they started. Or even stop them in midstream. But it was even worse when you knew in that very moment that there was still time to save yourself, and yet you couldn't even budge.
I believe when I am in the mood that all nature is full of people whom we cannot see, and that some of these are ugly or grotesque, and some wicked or foolish, but very many beautiful beyond any one we have ever seen, and that these are not far away... and the simple of all times and the wise men of ancient times have seen them and even spoken to them.
There are some places which, seen for the first time, yet seem to strike a chord of recollection. "I have been here before," we think to ourselves, "and this is one of my true homes." It is no mystery for those philosophers who hold that all which we shall see, with all which we have seen and are seeing, exists already in an eternal now; that all those places are home to us which in the pattern of our life are twisting, in past, present and future, tendrils of remembrance round our heart-strings.
I love Chatsworth, Winchester Cathedral, Edinburgh Castle... Every time I'm in the vicinity of something old and worth looking at, I try to go. You don't even have to leave your home town to see some places. How many Londoners have seen the crown jewels? Not many, and they'll blow you away, I promise.
Depression makes you seek lonely places, and that is what I started doing during the second semester of my first year in college. The black creek, the woods, the empty fields, the old cemetery-anywhere away from people, away from their critical eyes. I would seek out these places, choosing routes and times that would mean I could avoid as many people as possible.
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