A Quote by Lisa Kudrow
I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.
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I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed
If life knocks you down, try to land on your back. Because if you can look up, you can get up. And if you get up, you can stand up. And if you stand up, you can fight for your dream once again. You have something special. You have GREATNESS within you!
I say don't overreact; cool your jets. Focus on things that you can control: your business, your employees' welfare, your guests, and the quality of the product that you dish up. Do that, keep your chin down, pay attention to business, and the sun will come up tomorrow. That's the way I figure it.
. . some moment happens in your life that you say yes right up to the roots of your hair, that makes it worth having been born just to have happen. laughing with somebody till the tears run down your cheeks. waking up to the first snow. being in bed with somebody you love... whether you thank god for such a moment or thank your lucky stars, it is a moment that is trying to open up your whole life. If you turn your back on such a moment and hurry along to business as usual, it may lose you the ball game. if you throw your arms around such a moment and hug it like crazy, it may save your soul.
When you feel your family is being threatened and hurt, you speak up. And then you put your head down and go back about your business.
Make sure you know your identity is in Christ, so that when you get laid off from your job, or when you get a raise from your job, or when things don't go right, you're not up and down, up and down.
Treat your career as a business. Invest your earnings into good tools that can enhance your business. Film businesses are the same as non-film businesses. Ploughing part of your earnings back into your filmmaking business would grow career exponentially.
I'm bored to tears by how many clowns have been leaders. That's why it's important to be the best we can be within our own little lives. This divine comic tragedy just keeps getting darker and darker. It's a pattern. What goes up comes down and what comes down goes up. When the wall is finished being built, someday it will get torn down. And then someday it will be built back up again.
When you are a face for a long time and you turn heel, your stock value immediately goes up, especially if you're able to pull it off in the ring and on the mic. Then you ride that horse as long as you can. When it starts to falter, and when attendance drops, then you can turn back babyface. And your stock value goes up again.
It started off for me as just wanting to be an actor and sort of resenting in a weird way being expected to write as well as be a comedian and an improviser. And then you think about it for a minute, and I smartened up and realized that the only way to sustain a career is to generate your own material. Or to be in control of your career as best you can. And in allowing yourself to do that it opens up a whole new world of possibilities. And then you're like "Oh, producing is a thing."
In the same way your life is the continuity of standing up, sitting down, laughing, sleeping, waking up, drinking, eating, and, of course, being born and dying. That is the continuity of the whole universe.
When life knocks you down, try to land on your back. Because if you can look up, you can get up. Let your reason get you back up.
When you're standing around for an hour doing stand up it's no big deal but when you're standing around watching a show for an hour - it's a big difference. It's annoying - your feet hurt, your back hurts - it's just not the most comfortable way to see stand-up comedy.
To ask me is in vain;
For who goes up your winding stair
Can ne'er come down again.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
We, black British, were searching - as the first generation that was born and raised here - for our own identity. We already knew what the Caribbean thing was about. We grew up with the racial tension and unrest. They were either touching your head for good luck or kicking you down the stairs for being too dark. But that was part and parcel of how we grew up in London. But in terms of our identity, it was more about us claiming it y'know?
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