A Quote by Lisa Lampanelli
Even going on stage is a service because it brings people up from thinking about their lost job or their lost spouse or something like that, so that even helps people when I'm doing comedy; it's all done to make them laugh.
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The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
I think people generally are lost, as they keep thinking about what is going to happen and what they have done. They are not alive anymore. The art of listening is missing. In their head, they are doing something else.
Because humor brings us back to earth, it helps us to use well what is left to us even when we are keenly aware of what we have lost or been denied. Only those who know how to weep can also laugh heartily.
When I lost my first record deal, my wife and kids and I lost - I wouldn't say friends, but - we lost a lot people around us. They just vanished! They were nowhere to be found. I couldn't get a break, and I couldn't get people to even respond to my emails about songs, no matter how good something was.
In the South, our lives kind of revolve around food and taking care of people with food. If someone was sick, or if they had had a baby, or if they had lost a loved one, or even if they lost a job, my momma was at their door with pie or a cake or something to help them feel better.
Well, see, I think it's that most people don't like that lonely feeling. People don't like looking up and feeling small or lost. That's what I think prayer is all about. It doesn't matter which stories they believe in, they're all doing the same thing, kind of casting a line out to outer space, like there's something out there to connect to. It's like people make themselves part of something bigger that way, and maybe it makes them less afraid.
It may seem like I came out of the blue. But, my road was long, windy, full of hurdles, and even some dead ends. I lost family. I lost friends. I even lost my way. When I reached what felt like rock bottom, I realized I had a responsibility to everyone who believed in me and to kids, like me, who just needed a chance and something to believe in.
The whole idea of comedy, there is nothing normal about going up on stage to make strangers laugh. But I'm also not an exhibitionist like other comics. I'm not up there talking about masturbating.
It’s no longer about the Lost Boys. They keep trying to make their way out, then they meet other people and empathize with them. It’s a story that a lot of people are going to discover their purpose from. When someone doesn’t know their purpose, they get lost.
That's one of the cool things about going to local bars: seeing what people are doing and jamming with them. I'm a huge advocate of jamming with others; you learn a lot. So I love to go and do that - even if people wipe the stage up with you.
When doing a series, I look for something that has an idea you can think about, something that I'm noticing and aware of and thinking about, because when you're doing a series, you think about more than just jokes... you know, when you're doing a comedy, you think about what's going to reflect people's experiences, in a way.
I worked on dramas before, I love sinking my teeth into something dramatic or a period piece, but there's something so fun about doing a comedy. When you go to set and your only job is to make people laugh, there's an unbelievable energy on set.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
I was always given the comedy role, even in the ballet. I was the one who fell off her points, you know? I love doing comedy, and I love being in things that make people laugh.
America is said to have the highest per capita boredom of any spot on earth! We know that because we have the greatest number of artificial amusements of any country. People have become so empty that they can't even entertain themselves. They have to pay other people to amuse them, to make then laugh, to try to make them feel warm and happy and comfortable for a few minutes, to try to lose that awful, frightening, hollow feeling-that terrible, dreaded feeling of being lost and alone.
Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.
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