A Quote by Lisa Lampanelli
I've played every comedy club and every theatre across the country for the last 25 years and seen a lot of audience members from different ethnic persuasions.
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The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
As the years went on, the audience has become very jaded. They've heard every joke, they've seen every story line, they know where you're going before you even start to get there. And that's a hard audience to keep interested.
One of my biggest gripes with wrestling in the last decade is it has seen a lot of silly, goofy characters. I feel like every other match is a comedy spot, and there's nothing wrong with that, but I think if there is a comedy spot, it should be special.
I think that every country presents its own particular challenges, different cultures, different histories, different religions, different people. And different ethnic make-ups in those countries present different challenges.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
Years ago, there was a variety theatre in every British town, and people paid to go down and see it. Comedy was the main part of the theatre, and comedians earned a living by being funny. Now you have comedy in television instead. Comedians now have to be funny within a play.
I feel that if you can play on the streets or in a comedy club, then in a theatre it's a doddle because you've got an audience.
In the last two years we've seen a sea change in the United States on media issues. Two years ago, people would have read this, then opened the window on the ledge of the 18th floor and jumped. They would have said, "Okay, it's over, there's nothing I can do, it's just getting worse." But in the last two years, what we've seen is that millions of Americans have gotten aware of the issue, they've organized on it, they've risen up, and we're seeing the beginnings of a burgeoning media reform movement across this country.
The U.S. military may well be the best-integrated large institution on the planet. You have people from every corner of the country, every ethnic background, every walk of life, and we all come together to serve.
The audience is an absolutely critical part of 'Question Time' and selecting that audience is a big and very important job every week. What we need to do every week without fail is make the audience politically representative of the picture across the nation.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.
I've been interested in art and fashion for as long as I can remember because they are so visual. I am fascinated by the idea of visual creation from the ground up, which is a challenge in ballet when the audience has seen every show of yours, every other principal that you've shared a role with, and every different production.
Liverpool is a great fit for me as a club. It's a huge club, and there is a lot of pressure every time you step out onto that field. I've played in front of the Anfield crowd, and it'll be nice to be on the other side of the fans now.
What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
Wrestling was like stand-up comedy for me. Every night I had a live audience of 25,000 people to win over. My goal was never to be the loudest or the craziest. It was to be the most entertaining.
I think a lot of audience members don't realize the part that they play in live theatre. The audience actually has a mood. Sometimes they're tired and bored, and we have to wake them up and engage them.
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