A Quote by Lisa Lampanelli
I have rage and anger issues. So I get mad about stuff in real life, and then I yell about it onstage, and luckily, something funny ends up coming out. What I'll do is tape-record it, and it will end up coming out even funnier. And I add more punch lines.
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I think I have some anger-management issues, and they end up coming out in these passive-aggressive songs that sound happy.
I feel that part of my life's artwork is creatively dealing with all this negativity and anger and rage and hatred coming from whatever corners it's coming from and somehow manifesting all of that anger into something positive, which is such a hard job.
You know, I'm really busted up over this and I'm very, very sorry to those people in the audience, the blacks, the Hispanics, whites - everyone that was there that took the brunt of that anger and hate and rage and how it came through, and I'm concerned about more hate and more rage and more anger coming through, not just towards me but towards a black/white conflict.
If it feels good coming out, then I really don't care about anything else, for real. It's all about just having fun with it. If it feels like less work, then the project is coming out better.
Every now and then, when I think about it, I think, 'What would I even talk about onstage?' It's never been, 'I wonder if I'm funny. I wonder if I can come up with jokes.' It's more, 'What would it be like without the leather suit and the anger?'
I've been looking for ways to audition more, because it also keeps me sharp and keeps my ambition at its firm edge. That's something that I'm actively engaged in conversations about now with my reps: What's out there that I can really either put myself on tape for, or meet with the director for and read for? How do we do that? We're now at the end of the Star Trek reboot trilogies and whether we are going to do another movie remains to be seen, and so I feel like I'm at the end of this cycle that began with me coming out of school and auditioning and building my way up.
Some stuff I don't even put out. I'll just be home, happy, creating something for myself, and then ball it up and throw it in the trash. It's less about trying to prove something or get on somebody's list or make a fan happy or make a hater mad or convert a non-believer. That's not the case for me anymore.
Also I can come up with new bits - people yell stuff out and it's a new subject or a subject that I've been thinking about that I haven't done onstage yet and I'll just run with it.
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
It's easy to be silly in real life, but making stuff up onstage, that seemed hard. Better to be the funny person off-the-cuff in the room than to risk being unfunny onstage.
Try to understand why it is happening, from where it is coming, where the roots are, how it happens, how it functions, how it overpowers you, how in anger you become mad. Anger has happened before, it is happening now, but now add a new element to it, the element of understanding -- and then the quality will change. Then, by and by, you will see that the more you understand anger, the less it happens. And when you understand it perfectly, it disappears. Understanding is like heat. When the heat comes to a particular point -- one hundred degrees -- the water disappears.
When I was coming up the DC Improv was considered the best Improv out there. It's always been high quality stuff coming out of there.
Depression is a lot like that: slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearale. But you won't even notice it coming on, thinking that it is somehow normal, something about getter older, about turning eight or about turning twelve or turning fifteeen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
I spent 2010-2012 in Stockholm, trying to figure things out. I caught up on life! At the end of 2012, the relationship I was in ended, and I took the first plane to L.A. where my Swedish label has been setting up base. I felt so much more inspired to write and record than I had ever been, and the songs just started coming.
I come from a background of hanging out with friends and shooting videos with them, with funny stuff coming out of the group. I guess we got the same charge jocks get out of sports.
I didn't vote for Trump, but I do believe his coming to power has done its own bit of good. People are coming out to protest against issues they so far didn't talk about - sexual abuse, gun control, racism - because a bunch of crazies are out propagating them.
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