A Quote by Lisa Lampanelli

When you're dealing with a sick person, you're not important at all. You're just a nobody. — © Lisa Lampanelli
When you're dealing with a sick person, you're not important at all. You're just a nobody.
Don't make the body fit into the clothes. It really is, it's really respecting an individual and trying to cater to that individual's needs. And I guess that's what really is important for each one of us, dealing with each other in society, is look at the person in front of you, look at the individual in front of you and treat that person as a unique individual being. And I think we get along better, not just fashion-wise, but in terms of just dealing with people day-to-day.
When you're dealing with a very sick person and you're doing something to them, an intervention, be it a procedure or a medication, safety is critical.
I've been all over the world. I've dealt with foreign countries. I've done very well, as an example, tremendously well dealing with China and dealing with so many of the countries that are just ripping America. They are just taking advantage of us like nobody's ever seen before.
That is just the reality of being a marginalized person in this country: you have to deal with the psychological impact of your oppressor - whether that's being a woman dealing with men or gay people dealing with straight people or trans people dealing with everybody else.
I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
In studying music, you're dealing with a person, not just what comes to you on a piece of paper, and it's important to get hold of what it is that lies between that person as a person, and the things which they're producing on the paper. I don't know whether I see things in too complex a fashion, but often people will do things which are not actually their nature, but will do things because they think that's what they should do.
School is very important; it was very important for me. It gave me an enormous amount of confidence, especially at Yale where we were dealing with all the classics. In dealing with the classics, you are dealing with the very best.
A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.
Nobody the dead man & Nobody the living Nobody is giving in & Nobody is giving Nobody hears me but just Nobody cares Nobody fears me but Nobody just stares Nobody belongs to me & Nobody remains No Nobody knows nothing All that remains are remains
It's sort of the most important thing for acting, is to listen to the person you're dealing with.
I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
You're - psychotic. There's something wrong with you." "I know," Benteley agreed. "I'm a sick man. And the more I see, the sicker I get. I'm so sick I think everybody else is sick and I'm the only healthy person. That's pretty bad off, isn't it?
An organization belongs on a sick list when promotion becomes more important to its people than accomplishment of their job they are in. It is sick when it is more concerned with avoiding mistakes than with taking risks, with counteracting the weaknesses of its members than with building on their strength. But it is sick also when "good human relations" become more important than performance and achievement.
I rarely get recognized, and whenever I do, it has to do with 'The Leftovers' because it came into someone's life at a particularly important time for them - if they were dealing with grief or loss or whatever tragedy - and they just caught it. And there is no rhyme or reason to the kind of person it is.
I have told somebody in court that 'I understand yours is the most important case in the world, and I'm trying to treat it as the most important case in the world, but five minutes from now I'm going to be dealing with the next person's most important case in the world.' For every litigant, theirs is the most important case.
General Mike Flynn obviously was dealing with Russia. So that's one person. But he was dealing, as he should have been.
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