A Quote by Lisa Loeb

Sometimes you tell the truth like you're pulling taffy. — © Lisa Loeb
Sometimes you tell the truth like you're pulling taffy.
Sometimes I don't tell the truth, which is telling the truth about not telling the truth. I think people don't tell the truth when they're afraid that something bad's going to happen if they tell the truth. I say things all the time that I could really get into trouble for, but they kind of blow over.
Sometimes you don't want the truth. Sometimes you're like, "Oh just tell me the good answer. I don't want the truth."
Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
There's nothing wrong with stretching the truth. We stretch taffy, and that just makes it more delicious.
The rewriting is always crucial to what I do; whenever I do a scene, I always tell myself that this isn't final and that I can do it again, better. The pacing is probably from experience. I've always liked gradual disclosure. I keep thinking of my rubber-band theory. You have a rubber band that you keep pulling and pulling and pulling, and just at the moment of snapping you release it and start another chapter and start pulling again.
I always want to tell the truth. It doesn't have to be a pretty truth, and it doesn't have to be a life-changing and life-threatening truth like 'Chi-Raq.' But I want to tell someone's truth in an effort to inspire people to see themselves reflected on the screen.
Let us begin by committing ourselves to the truth to see it like it is, and tell it like it is, to find the truth, to speak the truth, and to live the truth.
You can tell the truth, but sometimes you can't always be in your face with it. I found a way to tell the truth and put it in a nice, neat package for people to receive it. A lot of times, you have to put it in a nice, neat box with a bow tie, and when they open it, it's the truth. I think people respect that.
I played on teams with 24 guys pulling the rope one way and one guy pulling the other. I've seen how destructive it can be. I tell them, 'If 13 of you are insanely successful and one fails, we all lose.'
According to one account of the New York City schools during the 1950s: The teacher could not technically hit the child, but the old crones found ways of skirting the rules. The push-probe-pull method was popular, in which the teacher would not hit you, but would poke you with her gnarled, witch-like fingers and grab your face like a taffy pull until you screamed. ... The pull-and-choke was also a favorite. It was executed by pulling the compulsory necktie up like a noose, until the errant boy's face turned the school colors.
There really is no weight to telling the truth. It's a little scary sometimes, but if you tell the truth, you don't have to be looking over your shoulder.
What my thing is, I tell most of the time the truth, and sometimes it's good for me, sometimes it's bad. But, it's true.
August Smith is a child telling the truth. Sometimes the truth is he has to listen to the voices of various creatures he's killed speak to him reproachfully, and he shares that with us, because wouldn't we all? Parties abound in this collection and reading it feels like being invited. You can tell Smith wants you there.
All I could say was, "I don't know what to do." I remember her taking me by the shoulders and looking me in the eye with a calm smile and saying simply, "Tell the truth, tell the truth, tell the truth.
I feel the weight of just telling the truth. There really is no weight to telling the truth. It's a little scary sometimes, but if you tell the truth, you don't have to be looking over your shoulder.
You can tell a guy the truth, and they might hate you for that day, but they'll come back that night and text you, like, 'You know what? You were right.' I just think if you tell guys the truth, they can respect you more.
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