A Quote by Lisa Loomer
When do I say No? I say No when I feel that the intention of the play, or the spirit, or tone - or text! - is being knowingly changed. Fortunately, this has happened only once. Next time I would say No earlier, and definitively. Otherwise, ultimately, the only No you have is No, you can't open the play. And that No is very very hard to say.
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I just take a tune and play it the only way I can. That's it. I don't really dwell on it very much. Some people probably do. I can only say I play it the way I feel it.
They say I couldn't play football, I was too small. They say I couldn't play basketball, I wasn't tall. They say I couldn't play baseball at all and now everyday of my life, I ball.
Just supposing," he said, "just supposing" --he didn't know what was coming next, so he thought he'd just sit back and listen--"that there was some extraordinary way in which you were very important to me, and that, though you didn't know it, I was very important to you, but it all went for nothing because we only had five miles and I was a stupid idiot at knowing how to say something very important to someone I've only just met and not crash into lorries a the same time, what would you say..." He paused, helplessly, and looked at her. "I should do.
My mother tongue, Mende, is very expressive, very figurative, and when I write, I always struggle to find the English equivalent of things that I really want to say in Mende. For example, in Mende, you wouldn't say 'night came suddenly'; you would say 'the sky rolled over and changed its sides.'
So many people say that obviously my game has changed since I arrived here and I say that it's good that it changed, otherwise it would show a lack of intelligence.
It's funny when people ask an actor what they want to play next, because you don't get to decide what you play. I don't know. I can only say this: I don't want to and have no interest in playing a plastic surgeon. That's for sure. I'm open to anything else.
My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.
[Grandfather] would manufacture funnies with Grandmother before she died about how he was in love with other women who were not her. She knew it was only funnies because she would laugh in volumes. 'Anna,' he would say, 'I am going to marry that one with the pink hat.' And she would say, 'To whom are you going to marry her?' And he would say, 'To me.' I would laugh very much in the back seat, and she would say to him, 'But you are no priest.' And he would say, 'I am today.' And she would say, 'Today you believe in God?' And he would say, 'Today I believe in love.
Growing up, my father was a financial analyst for an oil company. He was just a regular dad. And when I would say, 'Hey, come see my play,' he'd say, 'Sure.' He'd see one, 'Oh, good play' - you know, very typical dad reaction.
In fact, the very nature of an X-event is that it is both rare and surprising. So I would not say that any specific X-event is likely. What I would say, though, is that some X-event is not only plausible, but very likely in a time scale of a few years.
I know I play with a lot of passion, but from the outside looking in, people say, 'He's passive. Doesn't play hard.' And others say, 'It just comes easy to him. He's smooth.' That's just how I play. Always been the same person.
I like to play the weirdos. I like to play the people that are hard to like. You get to say and do things that you would never say and do in real life.
To this day, I get rewrite offers where they say: 'We feel this script needs work with character, dialogue, plot and tone,' and when you ask what's left, they say: 'Well, the typing is very good.'
My mum has always kept my feet on the ground and told me that if I carry on working hard it will pay off. I used to say 'If I play for Everton one day' and she would always say 'No, when you play for Everton.'
Growing up, my father was a financial analyst for an oil company. He was just a regular dad. And when I would say, Hey, come see my play, hed say, Sure. Hed see one, Oh, good play - you know, very typical dad reaction.
I often hear actors say during their interviews: 'I want to play a crazy person, a murderer, or someone who's on edge.' But that question scares me. I mean, of course there are characters I'd like to play, but I can't really say specifically who they are. It's much too hard to play a convincing normal person as it is.
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