A Quote by Lisa Lutz

I wrote my first screenplay on a lark, because it was a storytelling format that felt like a familiar shorthand - we all watch movies, don't we? But even though I grew up in Los Angeles, my family was entirely unconnected with the movie industry, and I never truly believed that it would one day be my fate.
Even though I grew up in L.A., no one in my family was in the movie industry. I've always felt whatever the opposite of disillusioned is. I guess illusioned with movies and with people in movies and things like that. It's all exciting to me.
The house where I grew up in the Hancock Park section of Los Angeles was like a dream - even though my family faced threats after my father bought it in August 1948.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
Even though I grew up in L.A., no one in my family was in the movie industry.
I grew up on theater, and honestly, I'm trying to figure out a way with a family and kids and living in Los Angeles to get back to the stage because it is my first love.
You cannot live in Los Angeles for any period of time without eventually trying to write a screenplay. It's like a flu bug that you catch ... Even the plumber has a screenplay in his truck.
I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw.
People who grew up in New York City or Los Angeles tend not to even understand what goes on in the rest of the country. I'm really glad to have grown up in an environment where I actually was kind of a weirdo because I was obsessed with comedy and movies and stuff.
I started working at a soup kitchen in skid row of Los Angeles when I was 13 years old, and the first day, I felt really scared. I was young, and it was rough and raw down there, and though I was with a great volunteer group, I just felt overwhelmed.
I don't really know anything about the movie business, even though I've lived in Los Angeles my whole life - somehow I've never bumped into it.
One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.
Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.
When I came to Los Angeles, it was the first time that I ever felt like I belong somewhere. Not because it was wacky, but because people here understood what I felt like to perform, and there were other kids my age who wanted to do it. I didn't get looked at as God, you freak.
living in Los Angeles was like being an extra in a movie that was starring other people entirely.
'Cars' is a really personal story for me because, first of all, I grew up in Los Angeles - the car crazy capital.
As a person who grew up in Los Angeles - that's a very diverse place - I've always felt like that diversity is a blessing. It's not a problem to be solved: it's a gift to be thankful for.
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