A Quote by Lisa Lutz

Band I listen to most: The Ramones. — © Lisa Lutz
Band I listen to most: The Ramones.

Quote Topics

I saw the Ramones, early on at a country-rock palace in Denver. They were opening for some record-company band, so the local music establishment, and I emphasize the word "establishment," was there in force, and the handful of us who knew the Ramones were up in front. And half the fun was, you know, not only were the Ramones the most powerful band I had ever seen at that point, but they made it look so simple - that anyone could do it, hell, even I could do it. This is what I should be doing.
I think Japans work really hard, and when they have a chance to listen to music, they just go crazy. And the Ramones would be a natural fit for Japan, because Japan invented the cartoon, and the Ramones, especially in Rock 'N' Roll High School, are very cartoonish. So it'd be a perfect group for them.
I didn't want the Ramones being told what to be doing, and I wanted the Ramones being presented in the right light - the remaining Ramones.
It was never fun being in the Ramones, which is the saddest thing of all, cause it shoulda been fun. It was probably fun when we played Performance Studio, and maybe some of the early gigs at CBGB's. But the Ramones were the type of group that had a bizarre mindset. Being in the band was so cut off from reality.
People say I sound a lot like the Ramones and it's probably because I'm influenced by the same '60s groups, but I was never a strict Ramones fan.
A weird thing about Gossip that I've always said: 'If I weren't in this band, I would never listen to it.' But I would go see it. It's a band you would go see that you don't necessarily listen to. We've always wanted to do a live album because personally, I think we're a way better band live than on record.
Me and my two best friends went to see the Ramones in 1979, and two weeks later, I was like, 'We're starting a band. That's it.'
The most significant bands I played in when I first got to New York were Bobby Watson's band, Roy Hargrove's first band, Benny Golson's band, Benny Green's trio, and probably the most significant out of all of those, for me personally, was playing in Freddie Hubbard's band.
Black people created punk - the band Death was way before The Ramones. Same with Bad Brains. If you think about it, the wool has been pulled over our eyes.
The Ramones were American, and I knew about them, and I thought they were interesting. But they were like a pop band to me.
We became a band that was kind of a big band, kind of a band that quite uncool people listen to, people a lot like me. I've realized that's a much more beautiful fate than the plan I had.
The closest things to an influence would be people like Charlie Watts or Al Jackson. But I didn't really listen to drummers; I basically played what I thought was needed for the Ramones.
A weird thing about Gossip that I've always said: "If I weren't in this band, I would never listen to it." But I would go see it. It's a band you would go see that you don't necessarily listen to.
The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.
The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.
Dee Dee got the name 'The Ramones' from Paul McCartney. McCartney would call himself Paul Ramon when he checked into hotels and didn't want to be noticed. I liked it because I thought it was ridiculous. The Ramones? That's absurd!
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