A Quote by Lisa Lutz

Finally, I'm recognizing that rewrites aren't some cosmic punishment for childhood wrongs but the nature of the business. — © Lisa Lutz
Finally, I'm recognizing that rewrites aren't some cosmic punishment for childhood wrongs but the nature of the business.
When I finally finished writing 'Sisters,' I started getting hired for lots of rewrites.
Every first-rate editor I have ever heard of reads, edits and rewrites every word that goes into his publication.... Good editors are not 'permissive'; they do not let their colleagues do 'their thing'; they make sure that everybody does the 'paper's thing.' A good, let alone a great editor is an obsessive autocrat with a whim of iron, who rewrites and rewrites, cuts and slashes, until every piece is exactly the way he thinks it should have been done.
I wonder if I love the communal act of eating so much because throughout my childhood, with four older brothers and a mom who worked in the restaurant business, I spent a lot of time fending for myself, eating alone - and recognizing how eating together made all the difference.
The wrongs of childhood and upbringing have made a large and obsessional contribution to autobiography and the novel.
There is another class of coloured people who make a business of keeping the troubles, the wrongs, and the hardships of the Negro race before the public. Having learned that they are able to make a living out of their troubles, they have grown into the settled habit of advertising their wrongs — partly because they want sympathy and partly because it pays. Some of these people do not want the Negro to lose his grievances, because they do not want to lose their jobs.
The Laws of Nature are just, but terrible. There is no weak mercy in them. Cause and consequence are inseparable and inevitable. The elements have no forbearance. The fire burns, the water drowns, the air consumes, the earth buries. And perhaps it would be well for our race if the punishment of crimes against the Laws of Man were as inevitable as the punishment of crimes against the Laws of Nature -were Man as unerring in his judgments as Nature.
Here an attempt is made to explain suffering: the outcaste of traditional Hinduism is held to deserve his fetched fate; it is a punishment for the wrongs he did in a previous life.
But my belief is growing that our political and social evils are remediable, if only all of us who want a change for the better just get up and work for it, all the time, with as much knowledge and intelligence as we can muster for it. Half the wrongs of human life exist because of the inertia of people who simply will not use their energies in fighting for what they believe in. And finally the wrongs roll up into world catastrophes and millions of deaths and a terrible set-back for all mankind.
Yes, I did some rewrites of the show as some of the stuff was not very good and I worked my butt off to make it something that the audience liked and that I could be proud of.
'Chocolat' was a sort of statement of my own childhood, recognizing I experienced something from the end of the colonial era and the beginning of independence as I was a child that really made me aware of things I never forgot - a sort of childhood that made me different when I was a student in France.
Ascension seemed at such times a natural law. If one added to it a law of completion - that everything must finally be made comprehensible - then some general rescue of the sort I imagined my aunt to have undertaken would be inevitable. For why do our thoughts turn to some gesture of a hand, the fall of a sleeve, some corner of a room on a particular anonymous afternoon, even when we are asleep, and even when we are so old that our thoughts have abandoned other business? What are all these fragments for , if not to be knit up finally?
The thing that strikes me now when I think about the Wilderness of Childhood is the incredible degree of freedom my parents gave me to adventure there. A very grave, very significant shift in our idea of childhood has occurred since then. The Wilderness of Childhood is gone; the days of adventure are past. The land ruled by children, to which a kid might exile himself for at least some portion of every day from the neighboring kingdom of adulthood, has in large part been taken over, co-opted, colonized, and finally absorbed by the neighbors.
What is this thing we call government? Is it anything but organized violence? The law orders you to obey, and if you don't obey, it will compel you by force - all governments, all law and authority finally rest on force and violence, on punishment or fear of punishment.
Nature has no compassion. Nature accepts no excuses and the only punishment it knows is death.
It's a funny line when you're walking - the creativity, the subjectivity versus the objectivity, creativity versus the business, and recognizing that you are in the music business, so there are certain things that you have to acquiesce to on the business side and certain creative decisions that you have to make for the purposes of serving the business side of it.
I believe in evolution and I think when it comes to business and the roots of business and the fundamentals of business, I don't think that ever changes. I think the idea of change is an illusion, but in nature it's necessary to change and perhaps business is a part of nature. I'm not totally sure.
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