A Quote by Lisa Lutz

My mother, at sixty, is one of those classic beauties: all neck and cheekbones, sharp lines that hide her wrinkles from a distance. She still gets whistles from construction workers from three stories up.
I saw Sophia Loren - the Italian woman with those wonderful cheekbones - in a movie the other day. She must have had 24 face-lifts, and she looks like an alien, as if she weren't from this world at all. Her Italian wrinkles would have been a thousand times more beautiful.
Few stories are written about what happens to the princess after the wedding. Reading between the lines of other stories, we can sketch out her "happily ever after": The princess gets pregnant and hopes for sons. As long as she is faithful and bears sons, she is considered to be a good wife. We don't hear whether or not she's a good mother, unless something goes wrong with her children.... All of history has been written about the subsequent adventures in the chapters of his life.
She touched the healthy folds of skin around the baby's neck, wrists, and thighs, the dark lines crying for life made in his forehead, and thought how people start with wrinkles and end with wrinkles, grow into their skin and then live to grow out of it again.
Here was a thing that would grow old; here was a thing that would turn beautiful and lose that beauty, that would inherit the grace but also the bad ear and flawed figure of her mother, that would smile too much and squint too often and spend the last decades of her life creaming away the wrinkles made in youth until she finally gave up and wore a collar of pears to hide a wattle; here was the ordinary sadness of the world.
My mother’s been living alone for over ten years. She gets up at six every morning. She makes herself a coffee. She waters her plants. She listens to the news on the radio. She drinks her coffee. She has a quick wash. An hour later, at seven, her day is over. Two months ago a neighbour told her about your blog, and she asked me to buy her one of those thingummyjigs – by a thingummyjig she meant a computer. And since then, thanks to your trimmings, your ribbon bows, your tie-backs for curtains, she’s rediscovered the joys of life. So don’t tell me you don’t know any answers.
Do you know him well?" I ask.I am too curious; I always have been. "Everyone knows Four," she says. "We were initiates together.I was bad at fighting,so he taught me every night after everyone was asleep." She scratches the back of her neck, her expression suddenly serious. "Nice of him." She gets up and stands behind the members sitting in the doorway. In a second, her serious expression is gone,but I still feel rattled by what she said, half confused by the idea of Four being "nice" and half wanting to punch her for no apparent reason.
There are three ways you can get along with a girl: one, shut up and listen to what she has to say; two, tell her you like what she's wearing; and three, treat her to really good food...If you do all that and still don't get the results you want, better give up.
My mother was the kind of person who was very much part of her tribe and very much a satellite of her tribe. She was the girl who left her family at the age of 17 and went to Washington. My mother was orphaned at three and then was brought up by my aunt Goldie. So, yes she belonged, but there was a part of her that didn't.
There was a deliberate voluptuousness that was both thrilling and repulsive. And as she arched her neck she actually licked her lips like an animal till I could see in the moonlight the moisture Then lapped the white, sharp teeth. Lower and lower went her head. I closed my eyes in a languorous ecstasy and waited.
I have one thing you don't,' he murmured against her neck, turning his head and nipping her earlobe. 'What?' His tongue teased her ear. 'Brute strength,' he whispered and removed the keys from her hand even as he captured her mouth with his. He didn't let her up until she kissed him back thoroughly, until her arms slid around his neck and she melted into him. He drove the truck with great satisfaction, smirking at her. 'Manly man, here, woman.
Half way down, he encountered Saphira, who had jammed her head and neck as far up the stair as she could, gouging the wood in her frenzy. Little one. She flicked out her tongue and caught him on the hand with its rough tip. He smiled. Then she arched her neck and tried to pull back, but to no avail. What's wrong? I'm stuck. You're... He could not help it;he laughed even though it hurt. The situation was too absurd.
I sit on the couch watching her arrange her long red hair before my bedroom mirror. she pulls her hair up and piles it on top of her head- she lets her eyes look at my eyes- then she drops her hair and lets it fall down in front of her face. we go to bed and I hold her speechlessly from the back my arm around her neck I touch her wrists and hands feel up to her elbows no further.
I used to sit near Marilyn Monroe in the Actor's Studio. She'd get dressed up because that was her identity. Sad. Those cameras wouldn't leave her alone. She didn't know where to hide.
I always encourage women to let their individuality show by not covering up what they perceive as flaws. When I see a woman with the natural wrinkles of time on her face, I do not see the wrinkles at all, but when I see a woman trying to cover them up with too much foundation or concealer, all I see are her wrinkles.
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide.
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