A Quote by Lisa Mangum
Your future is your own again. And I consider that to be a happy ending to the story.
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Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.
Respect is one of the greatest expressions of love. If other people try to write your story, it means they don't respect you. They consider that you're not a good artist who can write your own story, even though you were born to write your own story.
If you want a happy ending, that depends, of course, on where you stop your story.
The story, I like to say and remember, is always smarter than you—there will be patterns of theme, image, and idea that are much savvier and more complex than what you could come up with on your own. Find them with your marking pens as they emerge in your drafts. Become a student of your work in progress. Look for what your material is telling you about your material. Every aspect of a story has its own story.
Life prepares you so that you are able to create your own happy ending.
The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.
The happy ending is hardly important, though we may be glad its there. The real joy is knowing that if you felt the trouble in the story, your kingdom isnt dead.
We're vulnerable to repeating history, especially if we don't know what's driving us. For example, it may be a family tradition to marry someone with addiction problems, or who is an injured bird in need of caretaking. Or, you may be drawn to guys who remind you of your distant, unavailable father -- or your ill-tempered mother -- with the unconscious belief that you can take an old story, and through the power of your love, give it a new, happy ending.
At some point, you realize you can't provide a perfectly monolithic description of a foreign culture's future any more than you can provide a monolithic description of your own hometown's future. Your choices about what to emphasize and what to leave out make all the difference, and ultimately, your fingerprints and biases and viewpoints are going to be all over the story.
The first thing you have to consider when writing a novel is your story, and then your story - and then your story!
- the only difference between a happy ending and a sad ending is where you decide the story ends.
The world was ending then, it's ending still, and I'm happy to belong to it again.
You control your future, your destiny. What you think about comes about. By recording your dreams and goals on paper, you set in motion the process of becoming the person you most want to be. Put your future in good hands - your own.
People have been telling me I'm a failure and that I'm doing it all wrong for 20 years now. Never trust anybody when they tell you how your story goes. You know your story. You write your own story.
There's no pressure; like Kate said, it is about carving your own future. No one is going to try to fill my mother's shoes; what she did was fantastic. It's about making your own future and your own destiny, and Kate will do a very good job of that.
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
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