A Quote by Lisa Marie Presley

I have always been a singer/songwriter and I was pushed in places I didn't want to do, like pop or top forty. I don't belong there. — © Lisa Marie Presley
I have always been a singer/songwriter and I was pushed in places I didn't want to do, like pop or top forty. I don't belong there.
I have always been a singer/songwriter, and I was pushed in places I didn't want to do, like pop or top forty. I don't belong there.
I think one thing you could probably say for all my albums is that they're all pretty eclectic pop. There's always a little bit of urban influence, some dance, a little bit of country, singer-songwriter, pop-rock. I like everything! On every album you can find that.
If anything, I want to be seen as a singer-songwriter rather than a pop artist.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.
I've always thought I crossed this really weird gap between the pop world and some slightly more left-field singer-songwriter music, but everyone's always comparing me with Ed Sheeran. It's frustrating.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
As a singer, I've been criticized for sounding feminine. They say I don't belong in any category, male or female, pop or jazz. But early on, I saw my suffering as my salvation.
I just want to make a beautiful film. I've had it in my head for so long, so I want to try. Every now and again I get scared. And that's not really how I operate in songwriting or as Sia the artist, the singer. I don't operate from a place of fear. But this is such a new area for me. I still have some insecurity. So, like, once a week I get washed from the top of my skull down to my toes with this vomitous feeling of fear. I think, "Just don't do it. You don't have to do it. You're already a singer and a songwriter. Really, you don't have to make a movie.".
I didn't want to be the crippled songwriter or the crippled singer. I wanted to be the singer or the songwriter who was crippled. I wanted to be larger than life and a man among men.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
I've been quite lucky in that the roles that I've been able to play are all kind of outsiders. And, you know, I belong to so many places and belong to none of them at the same time, so there's this sense of displacement - I very much understand what it is to not fit in or belong somewhere.
What Autotune allows is for people like myself and Kanye West not to depend on the singer. Back in the Fifties, the songwriter was rendered invisible. Now the songwriter is there in the forefront.
For my whole career, I've been a singer-slash-songwriter, even though I'm very thankfully known for my voice. Songwriting has always been a joy in my life, and to be recognized for it is extremely validating.
My writing voice is a little quirkier, more singer-songwriter-y than the Top 40 stuff I cover.
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