A Quote by Lisa Marie Presley
On my US tour maybe three out of 30 shows there was an Elvis impersonator in the crowd but that's it. I usually get younger fans, and those that come that are of an older generation end up walking out because it's too loud.
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On my US tour maybe three out of 30 shows there was an Elvis impersonator in the crowd but that's it. I usually get younger fans, and those that come that are of an older generation end up walking out because it's too loud
Yeah, we might have a video on 'TRL,' but when you go to the Warped Tour you're going to see us walking around in the crowd and hanging out with kids because we treat our fans like we wanted to be treated when we were going to shows.
I know a lot of guys say that when they are younger - 'I'm gonna get it, get my money, and get out' - and then end up wrestling until they're 50. But that could end up being me, too. I can tell you I want to get out early and end up eating my own words. All of a sudden, I'm 50, and I'm still walking out there.
I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.
When we see society telling women that they have a certain time, that they make women compete with each other, the older generation competing with the younger generation. They've made us believe that there's not enough men out there for us or that we're only hired because of our looks and not because of our abilities.
The thing with playing live is, most of the audience is in their 20s and 30s. If you're older than that, you don't tend to go out to shows anymore. So it's good if you can attract a younger audience because they've got the energy to get up off the sofa and go out.
Obviously, fans are the beginning and end for any artist. The minute your fans embrace you and accept you, you begin this ride of being in music and having a career doing something you love. You get to go be a kid and live out your dreams by performing music for fans who come out to your shows.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
I grew up in a remarkable home, the middle of seven children. My parents raised us well. They loved us well. We laughed hard growing up. But being the middle child, I couldn't figure out where I fit in the home, whether I was the youngest of the older three or the oldest of the younger three. When you don't know where you fit inside the home and you're young and you're desperate to fit in somewhere, I'd figured where I would fit outside the home. So I made some bad decisions about who I hung out with, I dropped out of high school, got kicked out of the house.
I keep saying, the older I get, the younger my audience gets. Because 'Wicked' and 'Rent' and 'Glee,' each one was a young audience, so it's a great thing to have, so then you know that as they get older and have kids, they'll maybe still buy tickets to my shows when I'm 80 and in Vegas!
Our album 'Show No Mercy' came out in late '83, and we did three or four shows in San Francisco after the release. That was our first experience with stage-divers, crowd-surfing, people walking on people across an entire crowd.
If you put a song on SoundCloud for free and it blows up, you'll drop it as a single and maybe get some change off of it, but the real fans are going to be those that come to the shows.
There are days where maybe the obstacle is too great, maybe I don't want to get up and go to classes or attend that marching band practice, but whenever I have those days, I just realize that I have to get it done and everything will turn out great in the end.
If I do three interviews in a day, I can be exhausted, because the process of hearing everyone requires that I empty out myself. While I'm listening, my own judgments and prejudices certainly come up. But I know I won't get anything unless I get those things out of the way.
People think that since we're on a major label, all of a sudden everyone's telling us what to do and it's really not like that at all. They're just saying you should tour because you can finally get out of debt and everyone's coming out to the shows we sold.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
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