A Quote by Lisa McMann

Carrie doesn't seem to talk about anything with sharp edges. Maybe she's afraid they might poke her and then she'd burst. — © Lisa McMann
Carrie doesn't seem to talk about anything with sharp edges. Maybe she's afraid they might poke her and then she'd burst.
I get goose-bumps when you talk about Diane Wilson. Who knows where she found that courage? When she was a child, she would crawl under the bed when a stranger came to the house. But in 1989, she found out that her county in south Texas was ranked worst in the country for toxic waste. She wondered if the effluent, dumped into the waters where she and her family had shrimped for generations, might be responsible for the dwindling fish populations. And she suspected that her son's autism might be related to the pollution.
If the next car passed is blue, Violet will be okay, she thought. If it's red, A will do something horrible to her. She heard a growl of an engine and shut her eyes, afraid to see what the future might hold. She'd never cared so much about anything in her life. Just as the car was passing, she opened her eyes and saw a Mercedes hood ornament. She let out a long sigh, tears coming to her eyes once more. The car was blue.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
She tossed her towel on her dresser and turned to the bed where shed left her PJs. Only it wasn't just her PJs on the bed anymore. Lucas, eyes wide, sat on the foot of her bed, about four feet from where she stood completely naked. She squealed. He laughed. She dashed for the towel. Once she had it around her, she glared from a still grinning Lucas to the door. "I'm killing Della!" He laughed again. "I'm afraid I might have to protect her for this one.
She poked him in the center of his chest with two fingers to punctuate her words. “You are an unfeeling”—poke —“traitorous”—poke—“mistrusting”—poke—“rude”—poke —“booby!” Every poke turned him mortal, but Lord Maccon didn’t seem to mind it in the least. Instead he grabbed the hand that poked him and brought it to his lips. “You put it very well, my love.
I wondered about Mrs. Winterbottom and what she meant about living a tiny life. If she didn't like all that baking and cleaning and jumping up to get bottles of nail polish remover and sewing hems, why did she do it? Why didn't she tell them to do some of the things themselves? Maybe she was afraid there would be nothing left for her to do. There would be no need for her and she would become invisible and no one would notice.
She goes where she pleases. She appears unhoped for, uncalled for. She moves through doors and walls and windows. Her thoughts move through minds. She enters dreams. She vanishes and is still there. She knows the future and sees through flesh. She is not afraid of anything.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
She came into a room; she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered. Not that she was striking; not beautiful at all; there was nothing picturesque about her; she never said anything specially clever; there she was however; there she was.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
Like I said before, I don't know how helpful Inez will be, " she explained. "She's very eccentric and controlled by her whims. If she likes you, she might tell you something. If she doesn't, well..." Ms. Terwilliger shrugged. "Then maybe we'll have time for photo ops." "Score," said Adrian. When I shot him a look, he added quickly, "But of course she'll like you.
My daughter told me she wasn't afraid of spider but that she was afraid of my smoking. She said that she was afraid of my dying. So I went downstairs, picked up a pair of pliers and a blowtorch and showed her what real fear was.
You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.
[Carrie Fisher] could talk about issues that very few people could. She could make her bipolar disorder both real and entertaining. Carrie deserves a lot of credit for giving voice to traumas that few people feel comfortable talking about.
Suddenly she felt strong and happy. She was not afraid of the darkness or the fog and she knew with a singing in her heart that she would never fear them again. No matter what mists might curl around her in the future, she knew her refuge. She started briskly up the street toward home and the blocks seemed very long. Far, far too long. She caught up her skirts to her knees and began to run lightly. But this time she was not running from fear. She was running because Rhett's arms were at the end of the street.
I remember watching Meryl Streep in, The River Wild. There's this scene where she's has a gun pointed at her, it's absurd in a lot of ways. Someone pulls a gun on her I think, I'm not really fully aware of the scene and she just, she starts, you see her terrified. And then all of a sudden she starts to burst out laughing. She starts laughing. Like she can't stop laughing. Because she's terrified and she's emotional and there are no rules to what you're supposed to feel. That to me is like A number one, that's the thing I have to remind myself all the time.
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