A Quote by Lisa McMann

Maybe you don't have to remember something for it to be true. For it to exist. — © Lisa McMann
Maybe you don't have to remember something for it to be true. For it to exist.
If something must be true for us, as humans, to exist, than it is true simply because we exist.
What gets me back to church, I think, is thinking maybe this time that question "Is it true?" will be answered, not just in terms of somebody saying, "Yes, it's true," but something will happen in a sermon or maybe shuffling up to the Eucharist, or in the old lady who's sitting beside me with a Bible - maybe something will happen which will show me that it's true. So I go back thinking, maybe this time I'll be lucky.
Maybe the heart is part of the mist. And that's all that there is or could ever exist. Maybe and maybe and maybe some more. Maybe's the exit that I'm looking for.
Maybe this is all a bit of a myth, a willful desire to give each place its own unique aura. But doesn't any collective belief eventually become a kind of truth? If enough people act as if something is true, isn't it indeed "true," not objectively, but in the sense that it will determine how they will behave? The myth of unique urban character and unique sensibilities in different cities exists because we want it to exist.
I have never thought that I have sacrificed anything being a writer. That might not be true, maybe I have sacrificed something. Maybe I've given something up, but I can't think of it.
Maybe it's wrong when we remember breakthroughs to our own being as something that occurs in discrete, extraordinary moments. Maybe falling in love, the piercing knowledge that we ourselves will someday die, and the love of snow are in reality not some sudden events; maybe they were always present. Maybe they never completely vanish, either.
The heart of most spiritual practices is simply this: Remember who you are. Remember what you love. Remember what is sacred. Remember what is true. Remember that you will die and that this day is a gift. Remember how you wish to live.
We remember nothing. Maybe for a year or two. Maybe most of a life, if we live. Maybe. But then we will die, and who will ever understand any of this? And maybe we remember nothing most of all when we put our hands on our hearts and carry on about not forgetting.
I pitched the idea to FX that there's this larger 'Fargo' universe where there's true crime in the upper Midwest, and I can tell stories from any era of that. Maybe they connect to the first season or the movie, or maybe they don't. It's just a style of storytelling. We're under the auspices of being a true story that isn't true.
Even when our life is most difficult, it is important to remember that something within us is keeping us alive- the life force-that lift us, energizes us, pulls us back sometimes from the abyss of despair. True spirituality does not exist without love of life.
With every show I go out and do, I'm trying to change peoples' lives. I'm trying to make a huge moment and give them something that they'll remember forever. I know that's crazy to say after I've played maybe 5,000 shows in my life, but really that's what it is. Leaving it all out on the dance floor and giving people something spectacular to remember.
Ludwig Wittgenstein once said that names are the only things that exist in the world. Maybe that's true, but the problem is that as time passes by, names do not remain the same - even if they don't change.
There was a time when you were not a slave, remember that. You walked alone, full of laughter, you bathed bare-bellied. You say you have lost all recollection of it, remember . . . You say there are no words to describe this time, you say it does not exist. But remember. Make an effort to remember. Or, failing that, invent.
If I was writing a song one night, I would leave the studio and come back the next day, and if I could remember the same melody on the same song, it was definitely something worth working more on. If I couldn't remember it, maybe there was a purpose about that.
I think there's a lot more to pop than just sugarcoated indie pop. Maybe to me it's something that's accessible, catchy, something people can remember.
I remember what it feels like to be fourteen or sixteen, to have the world folded out in front of you, and to have a million choices ahead. I also remember what it feels like to be so open and impressionable and to want something so badly it's impossible to see that maybe it isn't the best thing for you.
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