A Quote by Lisa McMann

Because there's no way on earth she's going to make it through college unless she grows some serious ovaries and turns this train wreck around — © Lisa McMann
Because there's no way on earth she's going to make it through college unless she grows some serious ovaries and turns this train wreck around
A woman can do anything. She can be traditionally feminine and that's all right; she can work, she can stay at home; she can be aggressive; she can be passive; she can be any way she wants with a man. But whenever there are the kinds of choices there are today, unless you have some solid base, life can be frightening.
My mother was a great typist. She said she loved to type because it gave her time to think. She was a secretary for an insurance company. She was a poor girl; she'd grown up in an orphanage, and she went to a business college - and then worked to put her brothers through school.
There was a very slight chance she might actually kill him that way, and if she did, she’d be brought up on charges. Unless, of course, she could prove harmful intent. She could see it now. See, Your Honor, he was going to f*ck me silly, make me like it.
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.
She is fragile, she is soft, she is weaker, she is afraid. All around is a man-created world, and she is a stranger in it. She needs security. So when she falls in love, the first concept, the first idea, is how to be secure, safe. She would not like to make love to a man unless marriage is settled. Marriage has to be the first thing, then anything else can follow.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
Madonna had to break through; I knew she was going to make it big, because I could see how ambitious she was, in a very genuine and sweet way.
Kate is going to come back, she is going to be super-strong again. Everybody is going to want her again because she is that kind of person. She is very professional and beautiful and she is going to be around forever.
She's true to herself and she's determined. She has things going against her, but she forges ahead despite all of that. I think that's encouraging. She's got some problems, but she has hope and tries to plow through things. I think that's a good role model.
She goes where she pleases. She appears unhoped for, uncalled for. She moves through doors and walls and windows. Her thoughts move through minds. She enters dreams. She vanishes and is still there. She knows the future and sees through flesh. She is not afraid of anything.
Moana is such an amazing character. She's brave; she is so empowered. She knows what she wants, and she's not afraid to get it, and I think that's something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.
And yet, even as she spoke, she knew that she did not wish to come back. not to stay, not to live. She loved the little yellow cottage more than she loved any place on earth. but she was through with it except in her memories.
She [my mother] struggled, abusing alcohol for quite some time, and so we just kind of drifted apart. I went to college. But I dedicate the book to her because she is the true champion of the family. She kept our family together. She provided us with a roof over our head. She always worked.
I admire Madonna because she always did whatever she felt like doing. She went through some controversial periods when people rejected her, but she kept on reinventing herself.
...the long train ride was like traveling through limbo. You weren't anywhere when you were on a train, she decided. You weren't where you had been, and you weren't yet where you were going. You were nowhere. It might be beautiful outside the window-and it was, she had sense enough to realize that-but it wasn't anywhere to her, just a scene passing by that was framed by the train window. (p160)
Pink is an extremely secure person. She knows who she is. When she's going to make a change, she's going to make the change. She just needs someone to help her with the vision.
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