A Quote by Lisa Randall
For me, the most absorbing films are those that address big questions and real ideas but embody them in small examples that we can appreciate and comprehend.
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Film can do lots of things: It can produce alternative ideas, ask questions, just record the reality of what's happening, it can analyze what's happening. Of course, most commercial films are controlled by big corporations who have an interest in not doing those films.
Some people try to tell me that science will never answer the big questions we have in life. To them I say: baloney! The real problem is your questions aren't big enough.
We also have to engage - and I think this is important - in national politics because there is no way to address questions of this scale in the short time that we have to address them without engaging in real political change.
It is with certain good qualities as with the senses; those who have them not can neither appreciate nor comprehend them in others.
One of the things the novel can do is address big questions in ways that are accessible to people. It's not that I want to teach people, but these are the things that interest me, and this is my medium for exploring ideas, and I think the potential of novels to do that is massive.
To me, one of the most profound questions we can ask is: "So what?" And so what if there's an indefinite number of worlds with alternate "us-es" in them? The "so what," to me, comes alive when I ask myself: "What if I could find a way to get in touch with those alternate mes who made those choices?" That is, persons who, if I saw them now, I wouldn't even recognize because their choices, once small, have multiplied to make them such different people.
The lyrics are a lot about those big questions: why are we here, how did we get here, what's the point, and what's next. When those questions come up with fans, I would absolutely share with them what has helped me and where I stand on what it is that I believe.
Some critic complained about how many small films are released in New York... it annoyed me. Those small films that are lucky to get two weeks are often my favorite films of the year.
The real questions are the ones that obtrude upon your consciousness whether you like it or not, the ones that make your mind start vibrating like a jackhammer, the ones that you "come to terms with" only to discover that they are still there. The real questions refuse to be placated. They barge into your life at the times when it seems most important for them to stay away. They are the questions asked most frequently and answered most inadequately, the ones that reveal their true natures slowly, reluctantly, most often against your will.
I am ably balancing big and small films. With every big film I do, I try to take up films that are high on content and small on budget.
I ask questions. I watch the world. And what I have discovered is that the parts of my fiction that people most tell me are 'unbelievable' are those that are most closely based on the real, those least diluted by my imagination.
The study of Freemasonry is the study of man as a candidate for a blessed eternity. It furnishes examples of holy living, and displays the conduct which is pleasing and acceptable to God. The doctrines and examples which distinguish the Order are obvious, and suited to every capacity. It is impossible for the most fastidious Mason to misunderstand, however he might slight or neglect them. It is impossible for the most superficial brother to say that he is unable to comprehend the plain precepts and the unanswerable arguments which are furnished by Freemasonry.
Film Club is a necessity in any big university, as it provides a platform and a forum where you can exchange ideas, critique and appreciate historical, classics and contemporary films.
I was slightly disheartened when three of my films didn't work at the box-office. But the silver lining is that people did appreciate my work in those films. Had my performance gone unnoticed, I would've been in big trouble then.
I welcome and seek your ideas, but do not bring me small ideas; bring me big ideas to match our future.
I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
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