A Quote by Lisa Stansfield

Deeper' feels like we did when we made the first few albums. It's got that excitement. It felt like a voyage of discovery. — © Lisa Stansfield
Deeper' feels like we did when we made the first few albums. It's got that excitement. It felt like a voyage of discovery.
[Working with Meryl Streep] I just felt like I was shaving years off my discovery as an actress to realize, "Okay, that's what this feels like."
Every now and then it feels like it's just been a few days ago, a few weeks ago since we got started; but looking back through photographs and listening to the older albums and stuff, you can definitely feel some maturing and some distance in between the club days and where we are now
When you look at it and see, 'Oh,they made their first movie at 27,' you feel like a jerk saying it felt like forever, but at the time it did.
I have always enjoyed playing as a batsman. In the T20 format, I have been asked to play at six or seven. I have finished a few innings batting first and a few chasing. It feels good and it feels like yes I can do it.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
Like magic, she felt him getting nearer, felt it like a pull in the pit of her stomach. It felt like hunger but deeper, heavier. Like the best kind of expectation. Ice cream expectation. Chocolate expectation.
I did albums for Cash Money. I didn't do singles - I did whole albums for Cash Money - and at the end of the day, I'm saying I wasn't paid for albums, so its like you're doing 10 songs, and somebody pays you for 1.
Writing, like life itself, is a voyage of discovery.
I've been a runner a long time. When I first got into it, I started doing small triathlons in Chicago, and I just did it to get in shape. When I got out of college, I put on a few pounds like everybody does. I did it when I was in my early 20s, but I never really did any long runs.
I don't feel [the] excitement you have when you first walk into a recording studio. It now feels like a tool.
The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.
'The W' was real dark to me. Out of all the Wu-Tang albums, I like the first one and the second one. When 'The W' came into play, and the other ones, I felt they were just thrown together fast. Everyone got their money, and it was just like, 'Whatever, whatever, whatever.' 'The W' was a real dark album.
I was in special ed, but I felt like I was a caged bird. I felt like I could do better. I made sure I mastered my special ed lessons. I made sure I listened to my teacher. I made sure I did my homework, but I had to do a little extra.
With my first three albums I did everything on my own. It was what I was used to and where I felt comfortable. I would write the lyrics and music and hide the songs from everyone until I felt confident enough for anyone to hear them.
When I moved to New York at 22, I didn't know what I wanted to do. I took an improv class, and the first scene I did, I felt like 'I want to do this for the rest of my life.' It was the first time I ever felt like that about anything. I tried to make a living off improv.
Every book that anyone sets out on is a voyage of discovery that may discover nothing. Any voyager may be lost at sea, like John Cabot. Nobody can teach the geography of the undiscovered. All he can do is encourge the will to explore, plus impress upon the inexperienced a few of the dos and don'ts of voyaging.
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