A Quote by Lisa Stansfield

I was really skinny and I had greasy hair and I was knock-kneed. There's something still in me that's like that, and I catch myself, you know when you're walking or something, and you think, 'Oh no, you're still that drippy person.'
I think there's something to the millennial sentiment of being, like, 'I'm great.' But I think there's also something really amazing and powerful about being, like, 'Oh, hey, I'm awesome.' It's a fine line. But I think it's possible to be both, to not be the most annoying person in the world, to still be very intriguing and fun to watch.
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
They said that Etta James is still vulgar. I said, Oh, how dare them say I'm still vulgar. I'm vulgar because I dance in the chair. What would they want me to do? Want me to just be still or something like that? I've got to do something.
If you wake up one morning realising that you do not know anything, then you are awake. If you still think you know something, then you are still asleep. If you are still trying to know, you are still trying to control. If you are still trying to control then you still think something can 'go wrong'. If you still think something can go wrong then you are not in touch with the source. If you are not in touch with the source then you live in fear. You are living in the fear that you have created, and that you are trying to get away from.
I've reinvented myself every year since 1998, and my style's still changing. It's grittier now. I always gotta try something new. I've grown up. Then I was rapping; now I do music, I write albums. But my distinctive voice and style, people still can't catch it. They're still asking me, "What were you saying on that song?".
I don't think I'm prepared for life in the spotlight. I don't even think I'm really prepared now, but I still don't really feel like I'm in the spotlight a lot. I'm not a household name. I'm not followed around by paparazzi. I still have a very normal life. I'd love as many people to know and like my music as possible, but there's something quite lovely about being able to still go and watch your boys play football.
He is still my father. He is still a person I know I could trust and he would never do anything against me. Once you're at the top, there are not many people like that. People always want something from you.
My da used to sing 'Take Her Up to Monto' to me when we were walking down the street - he still does, actually - because it's got a walking tempo, and I still sing it to myself when I'm walking along.
I don't have an image of myself, when I'm walking down the street, like I'm a rock star or something. I'm a human being, I'm a friend, I'm a mom, I'm a writer, and I'm an artist. I do play electric guitar and all of that but in the end I'm just a person. I really don't live like a rock star, economically or socially. I still live a pretty simple life beside the traveling aspect of it.
Sometimes people will request a song I haven't played in a while and I'll play it and singing the lyrics will mean something different to me as a 35 year-old person than they did when I was 25. I know I'm still that person who wrote it and thought I knew what I meant when I was writing them. They meant something very exact to me in that time of my life. But it's really cool when those same lyrics can transform into something else and mean something entirely different to me.
It's such an honor. I still get, I guess, starstruck, at the Opry. Because there's so much history here and there are so many legends that are still walking around backstage, so it's really an incredible, incredible experience for somebody like me that grew up listening to all of them. And to be able to share the stage with them is something that I treasure.
Bill Pullman is older than Aaron Eckhart - although I was older too - and the age difference changes the play. My perspective on those issues had changed a lot. Without going into nerdy details about that play, there was something that still stuck with me. I still had the same joy in that dialogue and David Mamet's rhythm in terms of his writing. I felt like there was still something to explore.
But how can you walk away from something and still come back to it?" "Easy," said the cat. "Think of somebody walking around the world. You start out walking away from something and end up coming back to it." "Small world," said Coraline. "It's big enough for her," said the cat. "spiders' webs only have to be large enough to catch flies." Coraline shivered.
There's still people that do it poorly... and people that do it very, very well. I think there's still an incredible spectrum. I guess there's something that's appealing in it, in that everyone on some level is a DJ. But people still go to clubs, and there's still... it is interesting - with everyone having an iPod now - when music is so personalised and things like Pandora and making your own playlists, there's something really powerful about a room full of people all dancing to the same song.
If you're walking with your lady on the sidewalk, I still like to see a man walking street-side, to protect the lady from traffic. I grew up with that, and I hate to see something like that get lost. I still like to see that a man opens the door. I like those touches of chivalry that are fast disappearing.
I catch the ball. You throw the ball, I catch it. You throw it close to me, I catch it. If you make me do something crazy to catch, I still catch it.
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